August Wilson Center for African American Culture is a U.S. nonprofit arts organization that presents performing and visual arts programs that celebrate the contributions of African Americans in Western Pennsylvania.
The August Wilson Center for African American Culture building is on Liberty Avenue in Downtown Pittsburgh, Pennsylvania's Cultural District. It includes galleries, classrooms, a 500-seat theater, a gift shop, a cafe, and many multi-purpose spaces for visual and performing art. The museum opened in 2009.
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Famous quotes containing the words august, wilson, center, african, american and/or culture:
“Until, on Vinegar Hill, the fatal conclave.
Terraced thousands died, shaking scythes at cannon.
The hillside blushed, soaked in our broken wave.
They buried us without shroud or coffin
And in August the barley grew up out of the grave.”
—Seamus Heaney (b. 1939)
“The world must be made safe for democracy. Its peace must be planted upon the tested foundations of political liberty.”
—Woodrow Wilson (1856–1924)
“My center is giving way, my right is in retreat; situation excellent. I shall attack.”
—Ferdinand Foch (1851–1929)
“Like dreaming, reading performs the prodigious task of carrying us off to other worlds. But reading is not dreaming because books, unlike dreams, are subject to our will: they envelop us in alternative realities only because we give them explicit permission to do so. Books are the dreams we would most like to have, and, like dreams, they have the power to change consciousness, turning sadness to laughter and anxious introspection to the relaxed contemplation of some other time and place.”
—Victor Null, South African educator, psychologist. Lost in a Book: The Psychology of Reading for Pleasure, introduction, Yale University Press (1988)
“The suburban housewife—she was the dream image of the young American women and the envy, it was said, of women all over the world. The American housewife—freed by science and labor-saving appliances from the drudgery, the dangers of childbirth, and the illnesses of her grandmother ... had found true feminine fulfilment.”
—Betty Friedan (b. 1921)
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (1905–1975)