Plot
Presented as a severely degraded home movie, the film opens with a man named Peter inviting his camera-wielding friend into his basement, where he is holding a woman named Laura captive. Having already killed her boyfriend (whose castrated body has been left in a bathtub to rot) Peter is keeping Laura alive so he and his accomplice can torture her at their leisure, doing things like slicing one of her nipples off, and covering her in feces and urine.
Next, the two are shown picking up a female hitchhiker, who Peter coerces into performing oral sex on him. After climaxing, Peter beats the hitchhiker, and leaves her for dead on the side of the road. After returning to Laura, who they force-feed one of her now dismembered boyfriend's toes, the duo attend a concert (which they are kicked out of for rowdy behavior) and visit a farm, returning to the house afterward to find Laura has died.
After some mundane outings, such as touring a slaughterhouse and visiting a cemetery, Peter murders an old woman in her home, which he and the cameraman ransack. Later, the two harass and stab a convenience store clerk, and torment a pair of shoppers. The two try to take the wounded clerk or one of the bystanders with them, but abandon those plans when they hear police sirens approaching. The two then proceed to tour Roadside America, and visit a tattoo parlor. When the tattoo artist finishes giving Peter a tattoo, he and his twin brother are captured by Peter and the cameraman. The tattoo artist has a leg cut off with a meat cleaver, and is finished off by being bludgeoned with a hammer, his brother sharing his fate moments later.
The two are next shown at home doing drugs with a pair of prostitutes, with the cameraman going upstairs to have sex with one. When finished, the cameraman finds Peter in the basement, sodomizing the other prostitute while beating her with a hammer. Upon discovering the fate of her companion, the remaining prostitute tries to escape. In the chaotic chase that ensues, the camera is dropped, and the film cuts to black.
Read more about this topic: August Underground
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“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
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