Auf Achse (TV Series) - Plot

Plot

In the first few episodes, Franz Meersdonk (Manfred Krug) is a trucker working for the Munich-based company, "Mittermann Haulage", driving mostly the Germany-Iran route. The company is run by Sylvia Mittermann (Monica Bleibtreu), who is friendly with Franz. One day, she lands a big delivery to Tehran, but Franz is the only driver she has left. Franz gets to know a washed up racing driver, Günther Willers (Rüdiger Kirschstein) and talks him into teaming up for the new assignment. All does not go smoothly, however. First, Franz's lorry is inadvertently switched for a stolen one, then a hitchhiker causes problems. Shortly before arriving, Günter's cab bursts into flames. But at long last, the goods are delivered successfully (although this is not depicted).

Back in Munich, the company has gone bankrupt, and the pair have to scramble to find new jobs. Just before Meersdonk is forced to sell his lorry, they connive to land another delivery run. Once an insurance fraud is cleared up in a later episode, they finally get the money together to form their own company: International Transport in Munich.

Season 5 takes place entirely in Turkey. Willers quits (the first of several times that the Willers character departs the series). Meersdonk establishes a branch of the company in Turkey.

Most of the episodes involve auto theft, cargo scams, dubious acquaintances, or smuggling. Meersdonk and Willers get themselves into jams and get themselves back out. Trying to make successful deals, the good natured heroes are regularly taken advantage of or they get roughed up. So they remain what they are -- truckers, even if they are their own bosses.

Read more about this topic:  Auf Achse (TV Series)

Famous quotes containing the word plot:

    The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.
    Charles Dickens (1812–1870)

    The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.
    Franz Grillparzer (1791–1872)

    After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.
    Mary Kay Blakely (20th century)