Cultural Institutions
- Ateneo de la Juventud, a society of Mexican writers, philosophers and intellectuals
- Ateneo de Madrid, a private cultural institution located in the capital of Spain
- Ateneo de Ponce, a nonprofit, civic, organization in Ponce, Puerto Rico
- Ateneo Puertorriqueño, one of Puerto Rico's chief cultural institutions
- Ateneo de Sevilla, a cultural, scientific, literary, and artistic association in Seville, Spain
- Ateneo Veneto, an institution for science, literature, and arts in Venice, Italy
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Other articles related to "cultural institutions, institutions, cultural, television as a cultural institution":
... The philosophy behind the city’s relationship with the city-funded cultural institutions is based on the premise that these institutions are public facilities ... The future health of the cultural partnerships is a central and indispensable feature of the government’s support of the arts ... A cultural policy of the City of New York does not end with its cultural institutions—it begins with them ...
Cultural institutions are elements within a culture/sub-culture that are perceived to be important to, or traditionally valued among, its members for their own identity. Examples of cultural institutions in modern Western society are museums, churches, schools, work and the print media.
Television As a Cultural Institution Another example of a cultural institution is television. Television's has the power to communicate social values and ideas within a society through the shows and stories it exhibits. Television is viewed all over the world and has the power to shape society's political, social, and moral views.
Experts commonly name the following five cultural institutions as needed (at least in some way) in any society in order to survive: education, economic system, government, family, and religion.
Famous quotes containing the words institutions and/or cultural:
“In abnormal times like our own, when institutions are changing rapidly in several directions at once and the traditional framework of society has broken down, it becomes more and more difficult to measure any type of behavior against any other.”
—John Dos Passos (1896–1970)
“If we can learn ... to look at the ways in which various groups appropriate and use the mass-produced art of our culture ... we may well begin to understand that although the ideological power of contemporary cultural forms is enormous, indeed sometimes even frightening, that power is not yet all-pervasive, totally vigilant, or complete.”
—Janice A. Radway (b. 1949)