Assisi Embroidery - History

History

Historically, Italy has had a long tradition of bright and colourful embroidery. In the thirteenth and fourteenth centuries monastic embroideries developed a simpler style where designs and motifs were voided on fine linen cloth with the outlines and background embroidered in coloured silk. Motifs were strongly influenced by traditional designs of bird or animal pairs surrounded by elaborate scrollwork. These early articles were most often used for religious purposes e.g. altar cloths and chasubles.

By the sixteenth century Assiswork had become more popular and employed a wider range of motifs, many based on Renaissance imagery of satyrs, demons and ancient mythical creatures.

In the eighteenth and nineteenth centuries, however, this form of embroidery fell into decline and many of the designs and motifs were lost. It was only at the turn of the 20th century that the practice was revived in the Italian town of Assisi from which this form of embroidery gets its name. In 1902 the 'Laboratorio Ricreativo Festivo Femminile San Francesco di Assisi' was established. The aim of this handicrafts workshop was to revive traditional local handicrafts and provide employment to poor women to supplement their income. This cottage industry flourished and these more modern designs, using the counted thread technique, quickly spread throughout Italy, Europe and further abroad.

Read more about this topic:  Assisi Embroidery

Famous quotes containing the word history:

    In the history of the United States, there is no continuity at all. You can cut through it anywhere and nothing on this side of the cut has anything to do with anything on the other side.
    Henry Brooks Adams (1838–1918)

    When the history of this period is written, [William Jennings] Bryan will stand out as one of the most remarkable men of his generation and one of the biggest political men of our country.
    William Howard Taft (1857–1930)

    When the landscape buckles and jerks around, when a dust column of debris rises from the collapse of a block of buildings on bodies that could have been your own, when the staves of history fall awry and the barrel of time bursts apart, some turn to prayer, some to poetry: words in the memory, a stained book carried close to the body, the notebook scribbled by hand—a center of gravity.
    Adrienne Rich (b. 1929)