Aspect Ratio (image)

Aspect Ratio (image)

The aspect ratio of an image describes the proportional relationship between its width and its height.

It is commonly expressed as two numbers separated by a colon, as in 16:9. For an x:y aspect ratio, no matter how big or small the image is, if the width is divided into x units of equal length and the height is measured using this same length unit, the height will be measured to be y units. For example, consider a group of images, all with an aspect ratio of 16:9. One image is 16 inches wide and 9 inches high. Another image is 16 centimeters wide and 9 centimeters high. A third is 8 yards wide and 4.5 yards high.

The most common aspect ratios used today in the presentation of films in movie theaters are 1.85:1 and 2.39:1. Two common videographic aspect ratios are 4:3 (1.33:1), the universal video format of the 20th century and 16:9 (1.77:1), universal for high-definition television and European digital television. Other cinema and video aspect ratios exist, but are used infrequently.

In still camera photography, the most common aspect ratios are 4:3, 3:2, and more recently being found in consumer cameras 16:9. Other aspect ratios, such as 5:3, 5:4, and 1:1 (square format), are used in photography as well, particularly in medium format and large format.

With television, DVD and Blu-ray Disc, converting formats of unequal ratios is achieved by enlarging the original image to fill the receiving format's display area and cutting off any excess picture information (zooming and cropping), by adding horizontal mattes (letterboxing) or vertical mattes (pillarboxing) to retain the original format's aspect ratio, by stretching (hence distorting) the image to fill the receiving format's ratio, or by scaling by different factors in both directions, possibly scaling by a different factor in the center and at the edges (as in Wide Zoom mode).

Read more about Aspect Ratio (image):  Practical Limitations, Cinema Terminology, Obtaining Height, Width and Area of The Screen, Distinctions, Visual Comparisons, Previous and Currently Used Aspect Ratios, Problems in Film and Television, Still Photography

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