Asian Cinema - Highest-ranking Asian Films

Highest-ranking Asian Films

Further information: List of Asian films

The highest-ranking Asian film in the 1982 Sight & Sound Critics' Poll of greatest films was Seven Samurai (1954, Akira Kurosawa, Japan).

The highest-ranking Asian films in the 1992 Sight & Sound Critics' Poll of greatest films were:

1. Tokyo Story (1953, Yasujirō Ozu, Japan)
2. Pather Panchali (1955, Satyajit Ray, India)
3. Seven Samurai (1954, Akira Kurosawa, Japan)
4. Ugetsu (1954, Kenji Mizoguchi, Japan)
5. The Music Room (1958, Satyajit Ray, India)
6. Charulata (1964, Satyajit Ray, India)
6. Ikiru (1952, Akira Kurosawa, Japan)
8. Sansho the Bailiff (1954, Kenji Mizoguchi, Japan)
8. Yellow Earth (1984, Chen Kaige, China)
10. The Life of Oharu (1952, Kenji Mizoguchi, Japan)
10. Rashomon (1950, Akira Kurosawa, Japan)
10. Spring in a Small Town (1948, Fei Mu, China)
13. Aparajito (1956, Satyajit Ray, India)
13. Late Spring (1949, Yasujirō Ozu, Japan)
13. The World of Apu (1959, Satyajit Ray, India)

The highest-ranking Asian films in the 2002 Sight & Sound Critics' Poll of greatest films were:

1 Tokyo Story (1953, Yasujirō Ozu, Japan)
2 Seven Samurai (1954, Akira Kurosawa, Japan)
3 Rashomon (1950, Akira Kurosawa, Japan)
4 Pather Panchali (1955, Satyajit Ray, India)
5 The Story of the Last Chrysanthemums (1939, Kenji Mizoguchi, Japan)
6 Ugetsu (1954, Kenji Mizoguchi, Japan)
7 Sansho the Bailiff (1954, Kenji Mizoguchi, Japan)

The highest-ranking Asian films in the 2012 Sight & Sound Critics' poll of greatest films were:

1 Tokyo Story (1953, Yasujirō Ozu, Japan)
2 Late Spring (1949, Yasujirō Ozu, Japan)
3 Seven Samurai (1954, Akira Kurosawa, Japan)
4 In the Mood for Love (2000, Wong Kar-wai, Hong Kong)
5 Rashomon (1950, Akira Kurosawa, Japan)
6 Pather Panchali (1955, Satyajit Ray, India)
7 Ugetsu monogatari (1953, Kenji Mizoguchi, Japan)

In a 1998 critics' poll of all-time greatest films conducted by the New Delhi-based Asian film magazine Cinemaya, the following films were ranked the highest:

1. Tokyo Story (1953, Yasujirō Ozu, Japan)
2. Pather Panchali (1955, Satyajit Ray, India)
2. Ugetsu (1954, Kenji Mizoguchi, Japan)
4. Ikiru (1952, Akira Kurosawa, Japan)
4. Seven Samurai (1954, Akira Kurosawa, Japan)
6. Where Is the Friend's Home? (1987, Abbas Kiarostami, Iran)
7. The Apu Trilogy (1955–1959, Satyajit Ray, India)
7. Yellow Earth (1984, Chen Kaige, China)
9. The Time to Live and the Time to Die (1986, Hou Hsiao-Hsien, Taiwan)
9. A City of Sadness (1989, Hou Hsiao-Hsien, Taiwan)
11. Charulata (1964, Satyajit Ray, India)
11. Floating Clouds (1955, Mikio Naruse, Japan)
11. Mandala (1981, Im Kwon-Taek, South Korea)
11. The Music Room (1958, Satyajit Ray, India)
11. Spring in a Small Town (1948, Fei Mu, China)
11. Subarnarekha (1962/1965, Ritwik Ghatak, India)

In a 2000 audience poll of "Best Asian films" conducted by the UK-based MovieMail, the highest-ranking films were:

1. Raise the Red Lantern (1991, Zhang Yimou, China)
2. The Apu Trilogy (1955–1959, Satyajit Ray, India)
3. Seven Samurai (1954, Akira Kurosawa, Japan)
4. Sansho the Bailiff (1954, Kenji Mizoguchi, Japan)
5. Tokyo Story (Yasujirō Ozu, 1953, Japan)
6. Ugetsu (1953, Kenji Mizoguchi, Japan)
7. In the Mood for Love (2000, Wong Kar-wai, Hong Kong)
8. Chungking Express (1994, Wong Kar-wai, Hong Kong)
9. Crouching Tiger, Hidden Dragon (2000, Ang Lee, China / Hong Kong / Taiwan)
10. Maborosi (1995, Hirokazu Koreeda, Japan)
10. Yellow Earth (1984, Chen Kaige, China)

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“We are not about to send American boys 9 or 10,000 miles away from home to do what Asian boys ought to be doing for themselves.”
—Lyndon Baines Johnson (1908–1973)

“The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.”
—Jean-Luc Godard (b. 1930)