Artistic Depictions
The Ascension has been a frequent subject in Christian art, as well as a theme in theological writings. By the 6th century the iconography of the Ascension had been established and by the 9th century Ascension scenes were being depicted on domes of churches. The Rabbula Gospels (c. 586) include some of the earliest images of the Ascension.
Many ascension scenes have two parts, an upper (Heavenly) part and a lower (earthly) part. The ascending Christ may be carrying a resurrection banner or make a sign of benediction with his right hand. The blessing gesture by Christ with his right hand is directed towards the earthly group below him and signifies that he is blessing the entire Church. In the left hand, he may be holding a Gospel or a scroll, signifying teaching and preaching.
The Eastern Orthodox portrayal of the Ascension is a major metaphor for the mystical nature of the Church. In many Eastern icons the Virgin Mary is placed at the center of the scene in the earthly part of the depiction, with her hands raised towards Heaven, often accompanied by various Apostles. The upwards looking depiction of the earthly group matches the Eastern liturgy on the Feast of the Ascension: "Come, let us rise and turn our eyes and thoughts high..."
Read more about this topic: Ascension Of Jesus
Famous quotes containing the words artistic and/or depictions:
“The true, prescriptive artist strives after artistic truth; the lawless artist, who follows blind instinct, strives to duplicate the reality of nature. The first one elevates art to its highest peak; the second one lowers it to its basest level.”
—Johann Wolfgang Von Goethe (1749–1832)
“Surely, of all creatures we eat, we are most brutal to snails. Helix optera is dug out of the earth where he has been peacefully enjoying his summer sleep, cracked like an egg, and eaten raw, presumably alive. Or boiled in oil. Or roasted in the hot ashes of a wood fire.... If God is a snail, Bosch’s depictions of Hell are going to look like a vicarage tea-party.”
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