Access
Asahikawa airport is accessible by bus from Asahikawa Station, Asahiyama Zoo and Furano station. From Asahikawa Station it is about 15 km (35 min by bus) while from Furano Station it is about 40 km (1 hour by bus). The bus timings are available in Japanese from its webpage. For convenience one can refer below table for Airport-Furano commutation. The travel time is about 1 hour and ticket fare is 750 yen.
| Airport departure | Furano station departure |
|---|---|
| 10:10 | 11:10 |
| 11:30 | 12:30 |
| 12:40 | 13:40 |
| 13:40 | 14:40 |
| 15:40 | 16:40 |
| 17:00 | 18:00 |
| 18:00 | 19:00 |
| 20:00 | 21:00 |
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“The Hacker Ethic: Access to computersand anything which might teach you something about the way the world worksshould be unlimited and total.
Always yield to the Hands-On Imperative!
All information should be free.
Mistrust authoritypromote decentralization.
Hackers should be judged by their hacking, not bogus criteria such as degrees, age, race, or position.
You can create art and beauty on a computer.
Computers can change your life for the better.”
—Steven Levy, U.S. writer. Hackers, ch. 2, The Hacker Ethic, pp. 27-33, Anchor Press, Doubleday (1984)
“The last publicized center of American writing was Manhattan. Its writers became known as the New York Intellectuals. With important connections to publishing, and universities, with access to the major book reviews, they were able to pose as the vanguard of American culture when they were so obsessed with the two JoesMcCarthy and Stalinthat they were to produce only two artists, Saul Bellow and Philip Roth, who left town.”
—Ishmael Reed (b. 1938)
“The nature of womens oppression is unique: women are oppressed as women, regardless of class or race; some women have access to significant wealth, but that wealth does not signify power; women are to be found everywhere, but own or control no appreciable territory; women live with those who oppress them, sleep with them, have their childrenwe are tangled, hopelessly it seems, in the gut of the machinery and way of life which is ruinous to us.”
—Andrea Dworkin (b. 1946)