Critical Response
Scholars have long disagreed about the merits of the play. Critics from Samuel Johnson to George Bernard Shaw have complained that As You Like It is lacking in the high artistry of which Shakespeare was capable. Shaw liked to think that Shakespeare wrote the play as a mere crowdpleaser, and signalled his own middling opinion of the work by calling it As You Like It – as if the playwright did not agree. Tolstoy objected to the immorality of the characters and Touchstone's constant clowning. Other critics have found great literary value in the work. Harold Bloom has written that Rosalind is among Shakespeare's greatest and most fully realised female characters. Despite critical disputes, the play remains one of Shakespeare's most frequently performed comedies.
The elaborate gender reversals in the story are of particular interest to modern critics interested in gender studies. Through four acts of the play, Rosalind – who in Shakespeare's day would have been played by a boy – finds it necessary to disguise herself as a boy, whereupon the rustic Phebe (also played by a boy), becomes infatuated with this "Ganymede", a name with homoerotic overtones. In fact, the epilogue, spoken by Rosalind to the audience, states rather explicitly that she (or at least the actor playing her) is not a woman.
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