Emergence of Seattle As An Arts Center
Seattle first began to be a visual arts center in the 1920s. Australian painter Ambrose Patterson arrived in 1919. Over the next few decades Mark Tobey, Morris Graves, Kenneth Callahan, Guy Irving Anderson, and Paul Horiuchi would establish themselves as nationally and internationally known artists (see the Northwest School).
While few, if any, figures in the "high" performing arts were based in Seattle in this era, the city was definitely on the national and international arts touring circuit. According to Paul de Barros, in just the single year 1925 Seattle witnessed performances by Russian ballerina Anna Pavlova, pianist Sergei Rachmaninoff, and operatic bass Feodor Chaliapin; Hungarian composer and pianist Ernő Dohnányi; African American lyric tenor Roland Hayes; and Austrian violinist and composer Fritz Kreisler.
Seattle had an active jazz scene dating largely from speakeasies during Prohibition, when Mildred Bailey launched her career singing in Seattle. By mid-century the thriving jazz scene centering in some two dozen clubs along Jackson Street would produce such luminaries as Ray Charles, Quincy Jones, and Ernestine Anderson. The Brothers Four, one of the collegiate folk groups of the late 1950s and early 1960s, were also from Seattle.
Read more about this topic: Arts In Seattle
Famous quotes containing the words emergence of, emergence, seattle, arts and/or center:
“Much more frequent in Hollywood than the emergence of Cinderella is her sudden vanishing. At our party, even in those glowing days, the clock was always striking twelve for someone at the height of greatness; and there was never a prince to fetch her back to the happy scene.”
—Ben Hecht (1893–1964)
“Much more frequent in Hollywood than the emergence of Cinderella is her sudden vanishing. At our party, even in those glowing days, the clock was always striking twelve for someone at the height of greatness; and there was never a prince to fetch her back to the happy scene.”
—Ben Hecht (1893–1964)
“If I’d written all the truth I knew for the past ten years, about 600 people—including me—would be rotting in prison cells from Rio to Seattle today. Absolute truth is a very rare and dangerous commodity in the context of professional journalism.”
—Hunter S. Thompson (b. 1939)
“Musick is certainly a very agreeable Entertainment, but if it would take the entire Possession of our Ears, if it would make us incapable of hearing Sense, if it would exclude Arts that have a much greater Tendency to the Refinement of human Nature; I must confess I would allow it no better Quarter than Plato has done, who banishes it out of his Common-wealth.”
—Joseph Addison (1672–1719)
“There is nothing more natural than to consider everything as starting from oneself, chosen as the center of the world; one finds oneself thus capable of condemning the world without even wanting to hear its deceitful chatter.”
—Guy Debord (b. 1931)