Painting
The earliest Indian paintings were the rock paintings of pre-historic times, the petroglyphs as found in places like Rock Shelters of Bhimbetka, and some of them are older than 5500 BC. Such works continued and after several millennia, in the 7th century, carved pillars of Ellora, Maharashtra state present a fine example of Indian paintings, and the colors, mostly various shades of red and orange, were derived from minerals. Thereafter, frescoes of Ajanta and Ellora caves appeared. India's Buddhist literature is replete with examples of texts which describe that palaces of kings and aristocratic class were embellished with paintings, but they have not survived. But, it is believed that some form of art painting was practiced in that time.
Indian Art was given a new lease of life by the British in early 19th century when the new government required painters to document Indian life and times. The English School paintings, as these new art were called had seen the emergence of India's greatest artists of all times Raja Ravi Verma. Other important artists of the Colonial period include Jamini Roy, Amrita Shergil, Ramkinker Baij and Rabindranath Tagore. After independence, Indian art became more diverse and artists like Maqbool Fida Hussain, Francis Newton Souza, Subodh Gupta, Devajyoti Ray, Paresh Maity and Bose Krishnamachari earned international recognition.
- Indian art, ancient and medieval
Read more about this topic: Arts And Entertainment In India
Famous quotes containing the word painting:
“One is conscious of no brave and noble earnestness in it, of no generalized passion for intellectual and spiritual adventure, of no organized determination to think things out. What is there is a highly self-conscious and insipid correctness, a bloodless respectability submergence of matter in manner—in brief, what is there is the feeble, uninspiring quality of German painting and English music.”
—H.L. (Henry Lewis)
“When I am finishing a picture I hold some God-made object up to it—a rock, a flower, the branch of a tree or my hand—as a kind of final test. If the painting stands up beside a thing man cannot make, the painting is authentic. If there’s a clash between the two, it is bad art.”
—Marc Chagall (1889–1985)
“Now at least we know everything that painting isn’t.”
—Pablo Picasso (1881–1973)