Critical Reception
In the early 1970s the artist's book began to be recognized as a distinct genre, and with this recognition came the beginnings of critical appreciation of and debate on the subject. Institutions devoted to the study and teaching of the form were founded (The Center for Book Arts in New York, for example); library and art museum collections began to create new rubrics with which to classify and catalog artists' books and also actively began to expand their fledgling collections; new collections were founded (such as Franklin Furnace in New York); and numerous group exhibitions of artist's books were organized in Europe and America (notably one at Moore College of Art in Philadelphia in 1973, the catalog of which, according to Stefan Klima's Artists Books: A Critical Survey of the Literature, is the first place the term "Artist's Book" was used). Bookstores specializing in artists' books were founded, usually by artists, including Ecart in 1968 (Geneva), Other Books and So in 1973 (Amsterdam), Art Metropole in 1974 (Toronto) and Printed Matter in New York (1976). All of these also had publishing programmes over the years, and the latter two are still active today.
In the 1980s this consolidation of the field intensified, with an increasing number of practitioners, greater commercialization, and also the appearance of a number of critical publications devoted to the form. In 1983, for example, Cathy Courtney began a regular column for the London-based Art Monthly (Courtney contributed articles for 17 years, and this feature continues today with different contributors). The Library of Congress adopted the term artists books in 1980 in its list of established subjects.
In the 1980s and 1990s, BA, MA and MFA programs in Book Art were founded, some notable examples of which are the BA at Mills College in California, the MFA at the University of the Arts in Philadelphia, the MA at Camberwell College of Art in London, and the BA at the College of Creative Studies at the University of California, Santa Barbara. The Journal of Artists' Books (JAB) was founded in 1994 to "raise the level of critical inquiry about artists' books."
In recent decades the artist's book has been developed, by way of the Artists' record album concept pioneered by Laurie Anderson into new media forms including the artist's CD-ROM and the artist's DVD-ROM.
Read more about this topic: Artists' Books
Famous quotes containing the words critical and/or reception:
“If our entertainment culture seems debased and unsatisfying, the hope is that our children will create something of greater worth. But it is as if we expect them to create out of nothing, like God, for the encouragement of creativity is in the popular mind, opposed to instruction. There is little sense that creativity must grow out of tradition, even when it is critical of that tradition, and children are scarcely being given the materials on which their creativity could work”
—C. John Sommerville (20th century)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)