Movies
The following 22 movies were based on fiction by Arthur Stringer:
- 1912 The Man Who Made Good (short) (story)
- 1914 The Case of Cherry Purcelle (short) (story)
- 1916 The Secret Agent (short) (story)
- 1916 The Breaker (story)
- 1916 The Hand of Peril (novel The Hand of Peril: A Novel of Adventure)
- 1918 From Two to Six (story "The Button Thief")
- 1919 The House of Intrigue (novel)
- 1920 Are All Men Alike? (story "The Waffle Iron")
- 1923 Unseeing Eyes (story "Snowblind")
- 1924 Manhandled (story)
- 1924 The Story Without a Name (novel)
- 1924 Empty Hands (story)
- 1925 The Prairie Wife (story)
- 1925 Womanhandled (story)
- 1926 The Canadian (story and scenario)
- 1926 The Wilderness Woman (scenario / story)
- 1926 Out of the Storm (story "The Travis Coup")
- 1928 Half a Bride (story "White Hands")
- 1932 The Purchase Price (story "The Mud Lark")
- 1937 The Lady Fights Back (novel "Heather of the High Hand")
- 1940 Buck Benny Rides Again (story)
- 1941 The Iron Claw (story)
Read more about this topic: Arthur Stringer (writer)
Famous quotes containing the word movies:
“Commercial jazz, soap opera, pulp fiction, comic strips, the movies set the images, mannerisms, standards, and aims of the urban masses. In one way or another, everyone is equal before these cultural machines; like technology itself, the mass media are nearly universal in their incidence and appeal. They are a kind of common denominator, a kind of scheme for pre-scheduled, mass emotions.”
—C. Wright Mills (1916–62)
“The popularity of disaster movies ... expresses a collective perception of a world threatened by irresistible and unforeseen forces which nevertheless are thwarted at the last moment. Their thinly veiled symbolic meaning might be translated thus: We are innocent of wrongdoing. We are attacked by unforeseeable forces come to harm us. We are, thus, innocent even of negligence. Though those forces are insuperable, chance will come to our aid and we shall emerge victorious.”
—David Mamet (b. 1947)
“The movies were my textbooks for everything else in the world. When it wasn’t, I altered it. If I saw a college, I would see only cheerleaders or blonds. If I saw New York City, I would want to go to the slums I’d seen in the movies, where the tough kids played. If I went to Chicago, I’d want to see the brawling factories and the gangsters.”
—Jill Robinson (b. 1936)