Roles and Casting
Artaxerxes was composed when the castrato singers were at their height. The title role (Artaxerxes) and that of Arbaces were written for the Italian castrati, Nicolò Peretti and Giusto Ferdinando Tenducci respectively. With the waning of the castrati, the title role was sung by women en travesti in the 19th century. In the 1827 and 1828 performances in London, Artaxerxes was sung by the contraltos Eliza Paton and Elizabeth Vestris. In modern performances the role is often taken by a counter-tenor. The more virtuosic role of Arbaces went through a considerable amount of casting instability in the 19th century. It was sometimes sung by sopranos, and at other times transposed for tenors such as John Braham who sang the role 1827. Considered too high for a modern counter-tenor, Arbaces was sung by a mezzo-soprano, Patrica Spence, in the 1995 Hyperion recording. The role was also sung by a mezzo-soprano in the 2009 Royal Opera House revival.
| Character name | Identification | Voice type | Performer at 1762 premiere |
|---|---|---|---|
| Artaxerxes | Xerxes' younger son; Arbaces' friend | castrato | Nicolò Peretti |
| Mandane | Xerxes' daughter; lover of Arbaces | soprano | Charlotte Brent |
| Artabanes | general of Xerxes' army | tenor | John Beard |
| Arbaces | son of Artabanes | castrato | Giusto Ferdinando Tenducci |
| Semira | Artabanes' daughter; lover of Artaxerxes | soprano | Miss Thomas |
| Rimenes | Artabanes' captain | tenor | George Mattocks |
Read more about this topic: Artaxerxes (opera)
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