Art Song Formal Design
The composer's musical language and interpretation of the text often dictate the formal design of an art song. If all of the poem's verses are sung to the same music, the song is strophic. Arrangements of folk songs are often strophic, and "there are exceptional cases in which the musical repetition provides dramatic irony for the changing text, or where an almost hypnotic monotony is desired." Several of the songs in Schubert's Die schöne Müllerin are good examples of this. If the vocal melody remains the same but the accompaniment changes under it for each verse, the piece is called a "modified strophic" song.
In contrast, songs in which "each section of the text receives fresh music" are called through-composed. Some through-composed works have some repetition of musical material in them.
Many art songs use some version of the ABA form (also known as "song form"), with a beginning musical section, a contrasting middle section, and a return to the first section's music.
Read more about this topic: Art Song
Famous quotes containing the words art, song, formal and/or design:
“The history of modern art is also the history of the progressive loss of art’s audience. Art has increasingly become the concern of the artist and the bafflement of the public.”
—Henry Geldzahler (1935–1994)
“I am black and beautiful, O daughters of Jerusalem, like the tents of Kedar, like the curtains of Solomon.”
—Bible: Hebrew, Song of Solomon 1:5.
“True variety is in that plenitude of real and unexpected elements, in the branch charged with blue flowers thrusting itself, against all expectations, from the springtime hedge which seems already too full, while the purely formal imitation of variety ... is but void and uniformity, that is, that which is most opposed to variety....”
—Marcel Proust (1871–1922)
“Humility is often only the putting on of a submissiveness by which men hope to bring other people to submit to them; it is a more calculated sort of pride, which debases itself with a design of being exalted; and though this vice transform itself into a thousand several shapes, yet the disguise is never more effectual nor more capable of deceiving the world than when concealed under a form of humility.”
—François, Duc De La Rochefoucauld (1613–1680)