Art Song Formal Design
The composer's musical language and interpretation of the text often dictate the formal design of an art song. If all of the poem's verses are sung to the same music, the song is strophic. Arrangements of folk songs are often strophic, and "there are exceptional cases in which the musical repetition provides dramatic irony for the changing text, or where an almost hypnotic monotony is desired." Several of the songs in Schubert's Die schöne Müllerin are good examples of this. If the vocal melody remains the same but the accompaniment changes under it for each verse, the piece is called a "modified strophic" song.
In contrast, songs in which "each section of the text receives fresh music" are called through-composed. Some through-composed works have some repetition of musical material in them.
Many art songs use some version of the ABA form (also known as "song form"), with a beginning musical section, a contrasting middle section, and a return to the first section's music.
Read more about this topic: Art Song
Famous quotes containing the words art, song, formal and/or design:
“Art for art’s sake, with no purpose, for any purpose perverts art. But art achieves a purpose which is not its own.”
—Benjamin Constant (1767–1834)
“How shall we sing the Lord’s song in a strange land?
If I forget thee, O Jerusalem, let my right hand forget her cunning.”
—Bible: Hebrew Psalm CXXXVII (l. CXXXVII, 4–5)
“Two clergymen disputing whether ordination would be valid without the imposition of both hands, the more formal one said, “Do you think the Holy Dove could fly down with only one wing?””
—Horace Walpole (1717–1797)
“Westerners inherit
A design for living
Deeper into matter—
Not without due patter
Of a great misgiving.”
—Robert Frost (1874–1963)