Array Mbira - Technique

Technique

The experience of playing an Array mbira is that less shifting around of movement is required for playing a given chord progression. Because of the duplications of all notes available (two to three times for every octave of every note), complex rhythms and fast melodies are easier to play. The Array system allows the player to access the same notes with each hand in different locations. In addition to this, the close grouping of octaves allows large chords to be played that would require four hands on a piano. An mbira with only two or three octaves is better suited to fast, complex melodies while the larger five octave model is better suited to large chords and complex voicings.

The shorter tines sound higher in pitch. This means that any ascending scale travels away from the player toward the back of the instrument. An ascending major scale is played by playing a "three-four" pattern: do-re-mi, fa-sol-la-ti, do-re-mi, etc., going higher and higher until you run out of notes. The visual/tactile sensation of playing a group of three notes followed by a group of four notes results from the nature of the major scale: two whole steps, followed by a half step, followed by three more whole steps, and ending with one more half step to get back to "do". The minor scale and the five other musical modes work much the same way, as does the major pentatonic scale and its "modes". Obviously, playing a melody on an Array Mbira is unfamiliar for musicians who have trained on other instruments, most of which have notes arranged in a line rather than a plane. However, it is intuitive for the beginning musician.

One possible playing position places both hands over the notes F, C, G, D, A, E, and B, the notes of the C major and A minor scales as well as many other scales and modes. Accidentals (F#, C#, G#, D#, A#) fall immediately between and outside of the hands. This position emphasizes consonant intervals. Moving the hands further apart or closer together yields positions that emphasize dissonant intervals.

The Array mbira is played by a number of notable musicians, including Ry Cooder, Emil Richards, Pharoah Sanders, Mileece, Shannon Terry, and Imogen Heap.

Read more about this topic:  Array Mbira

Famous quotes containing the word technique:

    The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.
    Viola Spolin (b. 1911)

    A successful social technique consists perhaps in finding unobjectionable means for individual self-assertion.
    Eric Hoffer (1902–1983)

    The mere mechanical technique of acting can be taught, but the spirit that is to give life to lifeless forms must be born in a man. No dramatic college can teach its pupils to think or to feel. It is Nature who makes our artists for us, though it may be Art who taught them their right mode of expression.
    Oscar Wilde (1854–1900)