Arnaldo Antunes - Solo Career

Solo Career

In 1993 he released his debut CD Nome, putting together a multimedia project which associated poetry, music and computer animation (produced with the partnership of Celia Catunda, Kiko Mistrorigo and Zaba Moreau). The video "Nome" was exhibited in art venues and festivals in Brazil, Italy, Argentina, Australia, Switzerland, Germany, Austria, France, Spain (where it received a Jury recommendation at the Festival International de Video Cidade de Vigo 1995), Netherlands, Monaco, Uruguay, Cuba, Chile, Colombia and the US (receiving an honorable mention at the first annual New York Video Festival).

As a solo artist, Arnaldo Antunes later released Ninguém (1995), O Silêncio (1996), Um Som (1998), Paradeiro (2001) and Saiba (Rosa Celeste/BMG 2004). He also released other albums at special projects, such as the O Corpo (1999), a specially produced soundtrack for Grupo Corpo, a dance company of Minas Gerais, and the album Os Tribalistas (EMI/Phonomotor 2002), a collaborative project with Marisa Monte and Carlinhos Brown.

His compositions have been used in several movies including Blue in the Face, directed by Wayne Wang and Paul Auster; Bicho de Sete Cabeças, directed by Lais Bodanzki; Dois Perdidos Numa Noite Suja, adapted from a novel by Plinio Marcos and directed by José Joffily; and Benjamim, adapted from a novel by Chico Buarque and directed by Monique Gardenberg.

His album A Curva da Cintura, a collaboration with Edgard Scandurra and Toumani Diabate from Mali reached from the start a number 5 in the World Music Charts Europe in August 2012.

Read more about this topic:  Arnaldo Antunes

Famous quotes containing the words solo and/or career:

    All mothers need instruction, nurturing, and an understanding mentor after the birth of a baby, but in this age of fast foods, fast tracks, and fast lanes, it doesn’t always happen. While we live in a society that provides recognition for just about every life event—from baptisms to bar mitzvahs, from wedding vows to funeral rites—the entry into parenting seems to be a solo flight, with nothing and no one to mark formally the new mom’s entry into motherhood.
    Sally Placksin (20th century)

    Like the old soldier of the ballad, I now close my military career and just fade away, an old soldier who tried to do his duty as God gave him the light to see that duty. Goodbye.
    Douglas MacArthur (1880–1964)