Media
Syria has a rich tradition of media and publications in Armenian language. Armenian dailies all defunct now had a great run. The daily Hay Tsayn (1918–1919), one-every-two-days Darakir (1918–1919) and Yeprad (1919) are among the first published newspapers.
A stream of publications followed in the twenties and the thirties: Suryagan Surhantag (1919–1922), Suryagan Mamul (1922–1927), the dailies Yeprad (1927–1947), Surya (1946–1960) and Arevelk (1946–1963). The latter had also its annual yearbook. Arevelk had also published 1956 its youth supplement Vahakn (1956–1963) and its sports supplement Arevelk Marzashkharh (1957–1963).
Monthly papers included Nayiri (1941–1949) published by Antranig Dzarugian, and Purasdan youth publication (1950–1958).
Yearbooks include Suryahay Daretsuyts (1924–1926), Datev (1925–1930), Suryagan Albom (1927–1929), Daron (1949), Hay Darekirk (1956) and Keghart (since 1975).
Currently, Kantsasar weekly is the official organ of the Armenian Prelacy of Aleppo. It was first published as Oshagan in 1978 and was renamed Kantsasar in 1991.
Syrian publishers have a great contribution in translating several Armenian literature and academic studies into Arabic. It is noteworthy that the first evere Arabic language newspaper was published by the Aleppine Armenian journalist Rizqallah Hassoun in 1855 in Constantinople.
Read more about this topic: Armenians In Syria
Famous quotes containing the word media:
“The question confronting the Church today is not any longer whether the man in the street can grasp a religious message, but how to employ the communications media so as to let him have the full impact of the Gospel message.”
—Pope John Paul II (b. 1920)
“The media no longer ask those who know something ... to share that knowledge with the public. Instead they ask those who know nothing to represent the ignorance of the public and, in so doing, to legitimate it.”
—Serge Daney (1944–1992)
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)