Famous Italians of Armenian Origin
Among the most famous Armenian names in Italy in earlier centuries was Gjuro Baglivi (Giorgio Baglivi), whom the Enciclopedia Italiana (known as Treccani) holds to be "one of the most eminent men in the history of medicine". Baglivi was the name of a doctor of Lecce who adopted him as an orphan of a Julfa family. Other famous Italians of Armenian origin are the Venetian engineer Anton Sourian, the Venetian abbot and author Zaccaria Seriman, the poetess Vittoria Aganoor and the chemist Giacomo Luigi Ciamician.
In spite of their small numbers, the Armenians in Italy have achieved notable successes in the country's cultural life. For example, often mentioned are the book and film critic Glauco Viazzi (Jusik Achrafian, 1921–1981), the art critic Eduardo Arslan (Yetwart, 1899–1968), the musician Angelo Ephrikian (1913–1982), the Arslan family of ear, nose, and throat specialists in Padua and Genoa, and Alessandro Megighian (1928–1981), former president of the European Academy of Gnathology. The first three were commemorated in a praiseworthy initiative from 1982 to 1984 in Venice, under the general title "Armenians in Italian culture."
A recently known famous Italian with Armenian ancestry is the showman Paolo Kessisoglu (1969), whose grandfather, born Keshishian, moved from Anatolia to Genoa at the beginning of 20th century fearing aggressions in Turkey (though having already changed his surname to a more Turkish version).
Gevorg Petrosyan is a famous Armenian kickboxer and muay thai fighter living in Italy and fighting out of Satori Gladiatorium in Gorizia, Italy.
Read more about this topic: Armenians In Italy
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“Up through the lubber crust of Wales
I rocketed to astonish
The flashing needle rock of squatters,
The criers of Shabby and Shorten,
The famous stitch droppers.”
—Dylan Thomas (1914–1953)
“I love Italian opera—it’s so reckless. Damn Wagner, and his bellowings at Fate and death. Damn Debussy, and his averted face. I like the Italians who run all on impulse, and don’t care about their immortal souls, and don’t worry about the ultimate.”
—D.H. (David Herbert)
“The exile is a singular, whereas refugees tend to be thought of in the mass. Armenian refugees, Jewish refugees, refugees from Franco Spain. But a political leader or artistic figure is an exile. Thomas Mann yesterday, Theodorakis today. Exile is the noble and dignified term, while a refugee is more hapless.... What is implied in these nuances of social standing is the respect we pay to choice. The exile appears to have made a decision, while the refugee is the very image of helplessness.”
—Mary McCarthy (1912–1989)
“Each structure and institution here was so primitive that you could at once refer it to its source; but our buildings commonly suggest neither their origin nor their purpose.”
—Henry David Thoreau (1817–1862)