Arm Slave - Reception

Reception

THEM Anime Reviews has noted that the Arm Slaves, like most real life vehicles, are done meticulously that fans of mecha series would "online catalogues for tech books and sketches." Bureau 42 says that the "mecha action in the show is very well done. While I can’t compare the action with other more grounded mecha shows like Patlabor, the combat is very well done and easy to follow, and visually interesting." Triforce commented that Arm Slave battles in the Full Metal Panic! series would be able to keep viewer's attention to the show. Anime Chaos praises the 2D and 3D CG done on the 1st Full Metal Panic! season, with emphasis on the use of CG for the Arm Slaves.

Negative criticism has surfaced on the role of the Arm Slaves throughout the Full Metal Panic! series. For instance, Ender's review states that their mecha roles are confusing that the Arm Slaves are both "08th MS Team soldiers and Dragon Ball Z-type fighters, hurling energy balls at each other and going "Super Saiya-jin." Anime Database rated the Full Metal Panic! series 4 out of 5 because of the Arm Slaves battles since they start out from being good to being very unrealistic. GameSpot Union comments on the relationship between the Arm Slaves and the animation done on Full Metal Panic!, saying both animation and camera views were bad.

Read more about this topic:  Arm Slave

Famous quotes containing the word reception:

    But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.
    Walter Pater (1839–1894)

    Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.
    Rémy De Gourmont (1858–1915)

    I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.”
    Gerald R. Ford (b. 1913)