The Arlene Schnitzer Concert Hall (1928), opened as the Portland Publix Theater before becoming the Paramount after 1930, is a historic theater building and performing arts center in Portland, Oregon, United States. Part of the Portland Center for the Performing Arts, it is home to the Oregon Symphony, Portland Youth Philharmonic, Metropolitan Youth Symphony, White Bird Dance Company, and Portland Arts & Lectures. It is also a concert and film venue. Originally (and sometimes still referred to as) the Paramount Theatre, it is also locally nicknamed "The Schnitz".
It is the last surviving theater building on Broadway, which was once lined with large theater houses.
Read more about Arlene Schnitzer Concert Hall: Theater Specifics
Famous quotes containing the words concert hall, concert and/or hall:
“... in the cities there are thousands of rolling stones like me. We are all alike; we have no ties, we know nobody, we own nothing. When one of us dies, they scarcely know where to bury him.... We have no house, no place, no people of our own. We live in the streets, in the parks, in the theatres. We sit in restaurants and concert halls and look about at the hundreds of our own kind and shudder.”
—Willa Cather (1873–1947)
“Science is unflinchingly deterministic, and it has begun to force its determinism into morals. On some shining tomorrow a psychoanalyst may be put into the box to prove that perjury is simply a compulsion neurosis, like beating time with the foot at a concert or counting the lampposts along the highway.”
—H.L. (Henry Lewis)
“Having children can smooth the relationship, too. Mother and daughter are now equals. That is hard to imagine, even harder to accept, for among other things, it means realizing that your own mother felt this way, too—unsure of herself, weak in the knees, terrified about what in the world to do with you. It means accepting that she was tired, inept, sometimes stupid; that she, too, sat in the dark at 2:00 A.M. with a child shrieking across the hall and no clue to the child’s trouble.”
—Anna Quindlen (20th century)