Reviews
"Hats off, gentlemen, a Carmen!—Her name is Ariel Bybee…." Martin Bernheimer, Los Angeles Times review of Carmen, San Francisco Opera, 1973.
"The stars for the concert of international reputation were Beverly Hoch and Ariel Bybee. The soloists conquered by clear, clean, pensive presentations." Newspaper review of Stabat Mater at the Kuhmo Festival, Helsinki, Finland, 1992.
"he fresh, centered voices of Dawn Upshaw and Ariel Bybee, in tandem with the skillful conducting of James Levine, provided most of the joy at the Metropolitan Opera Tuesday night." Tim Page, New York Times review of Carmen, 1986.
"Filling in for…Murray was Ariel Bybee in the role of Annio. She does things with roles, thinking through each action and note to arrive at movements and phrasing that are always right on the mark and which appear natural for the character. She looks and sounds awfully good this season….One of those magic moments happened during the Tito premier: the first act duet between Annio (Bybee) and Servillia (Robinson) was exquisite. You had to be there—I can’t describe it adequately." WBAI-FM review of La clemenza di Tito, Metropolitan Opera, 1984.
" Bybee was sensational, not only vocally but in her look and her grasp of the role…. Her vocal command…was superb…. The role of Jenny tops with a C and she handled everything with a bright, focused tone and a tight but not unpleasant vibrato that added urgency to the part…. From now on, the role of Jenny will have to be judged against her definitive interpretation." Barton Wimble, New York Daily News review of The Rise and Fall of the City of Mahagonny, Metropolitan Opera, 1981.
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Famous quotes containing the word reviews:
“Why do I do this every Sunday? Even the book reviews seem to be the same as last week’s. Different books—same reviews.”
—John Osborne (1929–1994)
“The skilful Nymph reviews her force with care:
Let Spades be trumps! she said, and trumps they were.”
—Alexander Pope (1688–1744)
“I have been reporting club meetings for four years and I am tired of hearing reviews of the books I was brought up on. I am tired of amateur performances at occasions announced to be for purposes either of enjoyment or improvement. I am tired of suffering under the pretense of acquiring culture. I am tired of hearing the word “culture” used so wantonly. I am tired of essays that let no guilty author escape quotation.”
—Josephine Woodward, U.S. author. As quoted in Everyone Was Brave, ch. 3, by William L. O’Neill (1969)