Story
Aqua and Aria take place in the early 24th century, starting in 2301 AD, in the city of Neo-Venezia on the planet Aqua—formerly Mars, which was renamed after being terraformed into a habitable planet covered in oceans around 150 years ago. Neo-Venezia, based on Venice in both architecture and atmosphere, is a harbor city of narrow canals instead of streets, traveled by unmotorized gondolas.
At the start of Aqua, a young woman named Akari arrives from Manhome (formerly Earth) to become a trainee gondolier with Aria Company, one of the three most prestigious water-guide companies in the city. Her dream is to become an undine, a gondolier who acts as tour guide (see Terms below). As she trains, Akari befriends her mentor Alicia, trainees and seniors from rival companies – Aika, Alice, Akira and Athena and others characters in the Neo-Venezia city. Aqua covers Akari's arrival on Aqua and her early training as a Pair, or apprentice, while Aria continues her training as a Single, or journeyman, culminating in the graduation of her, Aika, and Alice as full Prima undines.
Each chapter is a slice of life episode of Akari's exploration of the worlds of gondoliering, Neo-Venezia, and Aqua itself. Amano frequently uses several pages of lush art to depict an environment, showing the wonder of both everyday activities as well as one-of-a-kind events. It has been described by reviewers as very similar in tone and effect to Yokohama Kaidashi Kikō.
Read more about this topic: Aria (manga)
Famous quotes containing the word story:
“Mr. Wiggam, I want you to change the policy of The Clarion. I want you to write a story I should have written myself long ago. I want you to tell the people of San Francisco that no city can exist without law and order. Write a story about that flag, write about what verifies and brings a promise of life, liberty, and the pursuit of happiness. There are some people in this town who don’t seem to know that. Let The Clarion tell them.”
—Ben Hecht (1893–1964)
“... if there’s a house, then there is a wall ... between them and the outside world. The ideal is to stay inside and to never have to go out, and the whole idea of staying home is really important. I think men do get out, but it is not glamorized the way it is here in America, where the big story is to ride out and go someplace and to travel.”
—Gish Jen (b. 1956)
“... there is ... a big aspect of play in writing novels, and making the story more and more elaborate is just more and more fun.”
—Gish Jen (b. 1956)