Development
The equivalent location in Neo-Venezia (from Aria volume 5, Navigation 24)According to her original afterword to Aqua volume 2, Kozue Amano's goal in writing the series was to have readers find happiness in small things and so not focus on their failures. In another afterword, she stated that writing Aria has forced her to pay attention to the four seasons and that she hopes the series shows her appreciation for them. Amano developed a 24 month calendar system for Aqua, based on Mars's real orbital period of 668.6 local days (see Timekeeping on Mars), making every season 6 months long; Amano marked the passage of time and the seasons throughout the series through such means as Akari explicitly telling her correspondent the time of year and depicting seasonal observances such as fireworks at the end of summer (Aqua volume 2, Navigation 9 and Aria volume 4, Navigation 20), New Year's Eve (Aria volume 2, Navigation 9), or birthdays of characters (Aria volume 10, Navigation 46).
In the universe of Aqua and Aria, Neo-Venezia's builders modeled it after the city of Venice before its demise in the 21st century, including counterparts to such public landmarks as the Piazza San Marco and the Bridge of Sighs. In creating Neo-Venezia, Amano also based some of the fictional locations of the series on real Venetian locations. Examples include:
- The Aria Company headquarters corresponds to the location of a vaporetto stop.
- The Himeya Company headquarters is based on the Danieli Hotel, located on the southern promonade, near Piazza San Marco.
Other locations on Aqua that Amano based on real places include the Japanese shrine visited in Aria volume 1, based on Fushimi Inari-taisha near Kyoto.
Read more about this topic: Aria (manga)
Famous quotes containing the word development:
“John B. Watson, the most influential child-rearing expert [of the 1920s], warned that doting mothers could retard the development of children,... Demonstrations of affection were therefore limited. “If you must, kiss them once on the forehead when they say goodnight. Shake hands with them in the morning.””
—Sylvia Ann Hewitt (20th century)
“For decades child development experts have erroneously directed parents to sing with one voice, a unison chorus of values, politics, disciplinary and loving styles. But duets have greater harmonic possibilities and are more interesting to listen to, so long as cacophony or dissonance remains at acceptable levels.”
—Kyle D. Pruett (20th century)
“The work of adult life is not easy. As in childhood, each step presents not only new tasks of development but requires a letting go of the techniques that worked before. With each passage some magic must be given up, some cherished illusion of safety and comfortably familiar sense of self must be cast off, to allow for the greater expansion of our distinctiveness.”
—Gail Sheehy (20th century)