Argument (linguistics) - Distinguishing Between Arguments and Adjuncts - Obligatory Vs. Optional Arguments

Obligatory Vs. Optional Arguments

A further division blurs the line between arguments and adjuncts. Many arguments behave like adjuncts with respect to another diagnostic, the omission diagnostic. Adjuncts can always be omitted from the phrase, clause, or sentence in which they appear without rendering the resulting expression unacceptable. Some arguments (obligatory ones), in contrast, cannot be omitted. There are many other arguments, however, that are identified as arguments by the relative clause diagnostic but that can nevertheless be omitted, e.g.

a. She cleaned the kitchen.
b. She cleaned. -
a. We are waiting for Larry.
b. We are waiting. -
a. Susan was working on the model.
b. Susan was working. -

The relative clause diagnostic would identify the constituents in bold as arguments. The omission diagnostic here, however, demonstrates that they are not obligatory arguments. They are, rather, optional. The insight, then, is that a three-way division is needed. On the one hand, one distinguishes between arguments and adjuncts, and on the other hand, one allows for a further division between obligatory and optional arguments.

Read more about this topic:  Argument (linguistics), Distinguishing Between Arguments and Adjuncts

Famous quotes containing the words optional and/or arguments:

    Our father presents an optional set of rhythms and responses for us to connect to. As a second home base, he makes it safer to roam. With him as an ally—a love—it is safer, too, to show that we’re mad when we’re mad at our mother. We can hate and not be abandoned, hate and still love.
    Judith Viorst (20th century)

    Compared to football, baseball is almost an Oriental game, minimizing individual stardom, requiring a wide range of aggressive and defensive skills, and filled with long periods of inaction and irresolution. It has no time limitations. Football, on the other hand, has immediate goals, resolution on every single play, and a lot of violence—itself a highlight. It has clearly distinguishable hierarchies: heroes and drones.
    Jerry Mander, U.S. advertising executive, author. Four Arguments for the Elimination of Television, ch. 15, Morrow (1978)