Argentine Society - Popular Culture - Music

Music

Tango, the music and lyrics (often sung in a form of slang called lunfardo), is Argentina's musical symbol. The Milonga dance was a predecessor, slowly evolving into modern tango. By the 1930s, tango had changed from a dance-focused music to one of lyric and poetry, with singers such as Carlos Gardel, Hugo del Carril, Roberto Goyeneche, Raúl Lavié, Tita Merello, and Edmundo Rivero. The golden age of tango (1930 to mid-1950s) mirrored that of jazz and swing in the United States, featuring large orchestral groups too, like the bands of Osvaldo Pugliese, Aníbal Troilo, Francisco Canaro, Julio de Caro, and Juan d'Arienzo. Incorporating acoustic music and later, synthesizers into the genre after 1955, bandoneón virtuoso Ástor Piazzolla popularized "new tango" creating a more subtle, intellectual and listener-oriented trend. Today, tango enjoys worldwide popularity; ever-evolving, neo-tango is a global phenomenon with renown groups like Tanghetto, Bajofondo, and the Gotan Project.

Argentine rock, called rock nacional, is the most popular music among youth. Arguably the most listened form of Spanish-language rock, its influence and success internationally owes to a rich, uninterrupted development. Bands such as Soda Stereo or Sumo, and composers like Charly García, Luis Alberto Spinetta, and Fito Páez are referents of national culture. Mid-1960s Buenos Aires and Rosario were cradles of the music and by 1970, Argentine rock was well established among middle class youth (see: Almendra, Sui Generis, Pappo, Crucis). Serú Girán bridged the gap into the 1980s, when Argentine bands became popular across Latin America and elsewhere (Enanitos Verdes, Fabulosos Cadillacs, Virus, Andrés Calamaro). There are many sub-genres: underground, pop-oriented, and some associated with the working class (La Renga, Attaque 77, Divididos, Hermética, V8, and Los Redonditos). Current popular bands include: Babasónicos, Rata Blanca, Horcas, Attaque 77, Bersuit, Los Piojos, Intoxicados, Catupecu Machu, Carajo, and Miranda!.

European classical music is well represented in Argentina. Buenos Aires is home to the world-renowned Colón Theater. Classical musicians, such as Martha Argerich, Eduardo Alonso-Crespo, Daniel Barenboim, Eduardo Delgado, and Alberto Lysy, and classical composers such as Juan José Castro and Alberto Ginastera are internationally acclaimed. All major cities in Argentina have impressive theaters or opera houses, and provincial or city orchestras. Some cities have annual events and important classical music festivals like Semana Musical Llao Llao in San Carlos de Bariloche, and the multitudinous Amadeus in Buenos Aires.

Argentine folk music is uniquely vast. Beyond dozens of regional dances, a national folk style emerged in the 1930s. Perón's Argentina would give rise to Nueva Canción, as artists began expressing in their music objections to political themes. Atahualpa Yupanqui, the greatest Argentine folk musician, and Mercedes Sosa would be defining figures in shaping Nueva Canción, gaining worldwide popularity in the process. The style found a huge reception in Chile, where it took off in the 1970s, and went on to influence the entirety of Latin American music. Today, Chango Spasiuk and Soledad Pastorutti have brought folk back to younger generations. León Gieco's folk-rock bridged the gap between Argentine folklore and Argentine rock, introducing both styles to millions overseas in successive tours.