Aretaeus of Cappadocia - Works

Works

Aretaeus' work consists of eight books, two De causis et signis acutorum morborum, two De causis et signis diuturnorum morborum, two De curatione acutorum morborum, and two De curatione diuturnorum morborum. They are in a tolerably complete state of preservation, though a few chapters are lost.

The work was first published in a Latin translation by Junius Paulus Crassus (Giunio Paolo Grassi), Venice 1552, together with Rufus Ephesius. The first Greek edition is that by Jacobus Goupylus, Paris, 1554, which is more complete than the Latin version of Crassus. In 1723 a major edition in folio was published at the Clarendon press at Oxford, edited by John Wigan, containing an improved text, a new Latin version, learned dissertations and notes, and a copious index by Michel Maittaire. In 1731, Boerhaave brought out a new edition, of which the text and Latin version had been printed before the appearance of Wigan's; this edition contains annotations by Pierre Petit and Daniel Wilhelm Triller. The edition by C. G. Kühn, Leipzig 1828, included Wigan's text, Latin version, dissertations, etc., together with Petit's commentary, Triller's emendations, and Maittaire's index. An edition by F. Z. Ermerins was published in Utrecht in 1847.

A more recent standard edition is by Karl Hude (1860–1936) in the Corpus medicorum graecorum (2nd ed., Berlin, Akademie-Verlag, 1958, online). The four books De causis et signis have now been issued in an annotated bilingual edition in Greek and French (Arétée de Cappadoce, Des causes et des signes des maladies aiguës et chroniques, trans. R.T.H. Laennec, ed. and comm. Mirko D. Grmek, pref. by Danielle Gourevitch, Geneva, 2000).

Read more about this topic:  Aretaeus Of Cappadocia

Famous quotes containing the word works:

    I shall not bring an automobile with me. These inventions infest France almost as much as Bloomer cycling costumes, but they make a horrid racket, and are particularly objectionable. So are the Bloomers. Nothing more abominable has ever been invented. Perhaps the automobile tricycles may succeed better, but I abjure all these works of the devil.
    Henry Brooks Adams (1838–1918)

    Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.
    Jane Jacobs (b. 1916)

    The ancients of the ideal description, instead of trying to turn their impracticable chimeras, as does the modern dreamer, into social and political prodigies, deposited them in great works of art, which still live while states and constitutions have perished, bequeathing to posterity not shameful defects but triumphant successes.
    Herman Melville (1819–1891)