Ardagh Hoard - The Chalice

The Chalice

The chalice is a large, two-handled silver cup, decorated with gold, gilt bronze, brass, lead pewter and enamel, which has been assembled from 354 separate pieces; this complex construction is typical of early Christian Irish metalwork. The main body of the chalice is formed from two hemispheres of sheet silver are joined with a rivet hidden by a gilt-bronze band. The names of the apostles are incised in a frieze around the bowl, below a girdle bearing inset gold wirework panels of animals, birds, and geometric interlace. Techniques used include hammering, engraving, lost-wax casting, filigree applique, cloisonné and enamel. Even the underside of the chalice is decorated (photo below).

According to the art historian Lawrence Stone (writing before the discovery of the Derrynaflan Hoard): "Here the Irish artist has shown a capacity for classical restraint by a deliberate decision to prevent the ornamentation from spreading so copiously as to blur the proportions... contrasting markedly with the lavish ornamental spread of the almost contemporary Tara Brooch and the still more elaborate systems of the later period. The bulk of the decoration consists of exquisitely drawn spiral or interlace patterns, given depth by the soldering of two layers of gold thread one on top of the other. At intervals are set cloisonné enamel bosses of blue and red, the complicated manufacture of which shows direct continuity with the Anglo-Saxon jewellers' craft of the preceding century. But apart from the extraordinary perfection of execution of this elaborate decoration, what gives to the Ardagh Chalice its outstanding position in Irish metalwork is the strictness of the relationship between the simple swelling lines of the cup and its base and the arrangement of the glittering studs, bands, and roundels that adorn its surface." The standard monograph is L.S. Gógan, The Ardagh Chalice.

The chalice is similar to the only other major early Irish example to survive, the Derrynaflan Chalice, found close by in the neighboring County Tipperary. That was found with a paten and liturgical strainer. At that time the ruling dynasty in Tipperary and most of Munster were the Eóganachta, while their allies and possible cousins the Uí Fidgenti ruled in the Limerick area (see Byrne 2001; Begley 1906). Although the early suggestion that the chalice was fabricated at Clonmacnoise and stolen from there by a Limerick Dane is widely circulated, this is unprovable. A Munster origin is just as likely if not more so given the 1980 discovery of the sister Derrynaflan Hoard. A Clonmacnoise origin is not mentioned at the National Museum of Ireland website .

The chalice was featured on a £1 value definitive postage stamp issued by An Post between 1990 and 1995 as part of the series Irish Heritage and Treasures designed by Michael Craig.

Two Gaelic Athletic Association trophies are modeled on the Chalice: the O'Duffy Cup and the Sam Maguire Cup.

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Famous quotes containing the word chalice:

    There lies intact that chalice of ours,
    And its presence adds to the rhyme of love
    Persistently sung by the fall above.
    No lip has touched it since his and mine
    In turns therefrom sipped lover’s wine.”
    Thomas Hardy (1840–1928)