Modern Architecture
Portugal’s longstanding traditions, geographic isolation, extended period under an authoritarian government, along with a group of very talented architects, have kept Portuguese architecture clean of capricious imitations. Portugal has an architecture that carefully evolved within the local tradition through a balanced process of absorbing universal influences, until slowly emerging onto the center stage of the architecture world.
One of the top architecture schools in the world, known as "Escola do Porto" or School of Porto, is located in Portugal. Its alumni include Fernando Távora, Álvaro Siza (winner of the 1992 Pritzker prize) and Eduardo Souto de Moura (winner of the 2011 Pritzker prize). Its modern heir is the Faculdade de Arquitectura (School of Architecture) of the University of Porto.
Although Portuguese architecture is usually associated with the internationally accredited Alvaro Siza, there are others equally responsible for the positive trends in current architecture. "Many Portuguese architects are sons of Siza, but Tavora is a grandfather to all of us." The influence of Sizas own teacher, Fernando Tavora, echoes across generations.
The Fundação Calouste Gulbenkian, built in 1960s and designed by Rui Atouguia, Pedro Cid and Alberto Pessoa, is one of the very best, defining examples of 20th-century Portuguese architecture.
In Portugal Tomás Taveira is also noteworthy, particularly due to stadium design. Other renowned Portuguese architects include Pancho Guedes and Gonçalo Byrne.
Carrilho da Graça’s Centro de Documentação da Presidência da República (Documentation Archive of the President of the Portuguese Republic), is one of Lisbon’s best-kept architectural secrets.
Read more about this topic: Architecture Of Portugal
Famous quotes containing the words modern and/or architecture:
“I know this, and I know it from actual experience in the Orient, that the progress of modern Christian civilization has largely depended on the earnest hard work of the Christian missions of every denomination.”
—William Howard Taft (1857–1930)
“Art is a jealous mistress, and if a man have a genius for painting, poetry, music, architecture or philosophy, he makes a bad husband and an ill provider, and should be wise in season and not fetter himself with duties which will embitter his days and spoil him for his proper work.”
—Ralph Waldo Emerson (1803–1882)