Architecture of Indonesia - Palace Architecture

Palace Architecture

Istana (or "palace") architecture of the various kingdoms and realms of Indonesia, is more often than not based on the vernacular adat domestic styles of the area. Royal courts, however, were able to develop much grander and elaborate versions of this traditional architecture. In the Javanese Kraton, for example, large pendopos of the joglo roof form with tumpang sari ornamentation are elaborate but based on common Javanese forms, while the omo sebua ("chief's house") in Bawomataluo, Nias is an enlarged version of the homes in the village, the palaces of the Balinese such as the Puri Agung in Gianyar use the traditional bale form, and the Pagaruyung Palace is a three-storey version of the Minangkabau Rumah Gadang.

Similar to trends in domestic architecture, the last two centuries have seen the use of European elements in combination with traditional elements, albeit at a far more sophisticated and opulent level compared to domestic homes.

In the Javanese palaces the pendopo is the tallest and largest hall within a complex. As the place where the ruler sits, it is the focus of ceremonial occasions, and usually has prohibitions on access to this space.

Read more about this topic:  Architecture Of Indonesia

Famous quotes containing the words palace and/or architecture:

    In correct theology, the Virgin ought not to be represented in bed, for she could not suffer like ordinary women, but her palace at Chartres is not much troubled by theology, and to her, as empress-mother, the pain of child-birth was a pleasure which she wanted her people to share.
    Henry Brooks Adams (1838–1918)

    The two elements the traveler first captures in the big city are extrahuman architecture and furious rhythm. Geometry and anguish. At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.
    Federico García Lorca (1898–1936)