Archaeological Plan - Critics of Pre-excavation Planning

Critics of Pre-excavation Planning

Pre-excavation plans have been critiqued as being of limited use on urban or deeply stratified sites and have also been attacked in professional archaeology where they have been described as a misused tool of the unscrupulous operators to give the impression the archaeological record for a given site has been dealt with adequately.

This critical point of view contends, that comparisons between pre and post-excavation plans can demonstrate that a site has not been comprehensively excavated on the basis of a pre-ex plan alone. In many cases there is a pronounced difference between the two phases of planning. Although many features may be visible at ground level following machining, it is often the case that the true limits of features are not so initially discernible until the area of the feature is fully cleaned and subsequently excavated revealing further features and relationships lower in the sequence.

Read more about this topic:  Archaeological Plan

Famous quotes containing the words critics of, critics and/or planning:

    “I wish glib and indiscriminate critics of industrialists had some conception of the problems that have to be met by factory management.... General condemnation of employers is a favorite indoor sport of the uninformed intelligentsia who assume the role of lance- bearers for labor.”
    —Mary Barnett Gilson (1877–?)

    “Nature, when she invented, manufactured, and patented her authors, contrived to make critics out of the chips that were left.”
    —Oliver Wendell Holmes, Sr. (1809–1894)

    “Most literature on the culture of adolescence focuses on peer pressure as a negative force. Warnings about the “wrong crowd” read like tornado alerts in parent manuals. . . . It is a relative term that means different things in different places. In Fort Wayne, for example, the wrong crowd meant hanging out with liberal Democrats. In Connecticut, it meant kids who weren’t planning to get a Ph.D. from Yale.”
    —Mary Kay Blakely (20th century)