Performance
The traditional clothes worn during araiyar sevai performances are the pañcakacam (a style of wearing the veshti) and a conical hat called araiyar kullai, which bears the Vaishnavite symbols of the conch, discus and thirunamam. During the actual performance, a piece of cloth taken from a garment used by the temple deity is tied to the hat. The araiyar wears a garland and holds cymbals which he plays during the performance.
An araiyar sevai begins with a ritual summons, where the officiating priest using a ritual formula, calls upon the araiyar to come before the temple urcavar — the temple's processional deity. The araiyar replies with a formulaic response and puts on the araiyar kullai as he approaches. He then sounds a few strokes on the cymbals and begins the performance.
Each verse is performed in three steps. In the first, the araiyar sings the verse. In the second, he dances a few steps which, through a system of ritualised gestures, give expression to the literal meaning of the verse. In the third step, he explains the inner meaning of the verse, as explained in Tampirāṉ paṭi, a traditional commentary on the Divya Prabandham. On specific days, the performance of individual verses is followed by a dramatisation of specific scenes from Hindu mythology, such as the churning of the ocean, the birth of Andal, or the slaying of Kamsa. The final element of the performance is the mutukkuri vaipavam, which depicts a worried mother consulting a kattuvicci female soothsayer about her daughter, who is lovelorn.
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