Arab Cinema - Festivals

Festivals

There are numerous film festivals that have historically been and are held in various parts of the Arab world to both honor and showcase films from the Arab regions, as well as international standouts.

Since 1976, Cairo has held the annual Cairo International Film Festival, which has been accredited by the International Federation of Film Producers Associations. There is also another festival held in Alexandria. Of the more than 4,000 short- and feature-length films made in Arabic-speaking countries since 1908, more than three-quarters were Egyptian.

In 1987, the inaugural Mogadishu Pan-African and Arab Film Symposium (Mogpaafis) was held, bringing together an array of prominent filmmakers and movie experts from across the globe, including other parts of Northeast Africa and the Arab world, as well as Asia and Europe. Held annually in Mogadishu, the capital of Somalia, the film festival was organized by the Somali Film Agency, the nation's film regulatory body.

The International Film Festival of Marrakech (FIFM) is an international film festival held annually in Marrakech, Morocco. Since its inaugural year in 2000, the FIFM has been one of the biggest events devoted to Moroccan cinema. It is also the site of the principal photography of many international productions. The festival's jury gathers international writers, actors and personalities, and endeavors to reward the best Moroccan and foreign feature and short films. The FIFM is chaired by Prince Moulay Rachid of Morocco.

The Dubai International Film Festival (DIFF) is an international film festival based in Dubai, United Arab Emirates. Launched in 2004, it aims to foster the growth of filmmaking in the Arab world. The DIFF is held under the honorary Chairmanship of Ahmed bin Saeed Al Maktoum. It is a not-for-profit cultural event, presented and organised by the Dubai Technology, Electronic Commerce and Media Free Zone Authority.

The DIFF presents cinematic excellence from around the world and offers a high-profile platform for aspiring home-grown talent. The Muhr Award for Excellence in Arab Cinema was launched in 2006, with the aim of recognizing Arab filmmakers both regionally and internationally. In 2008, the Muhr Awards for Excellence were expanded to include two separate competitions, the Arab Muhr Award, and the AsiaAfrica Muhr Award. It also introduced a new program segment dedicated exclusively to Animation.

The Abu Dhabi Film Festival (ADFF) is another key international film festival in the larger Arab region. Created in 2007, the ceremony is held annually in October in Abu Dhabi, UAE by the Abu Dhabi Authority for Culture and Heritage (ADACH), under the patronage of Sheikh Sultan Bin Tahnoon Al Nahyan, Chairman of the ADACH. The ADFF aims to encourage and foster the growth of filmmaking in the Arab world by showcasing movies from the region alongside standout productions from prominent international filmmakers. The first festival debuted with 152 movies and 186 screenings shown in five Abu Dhabi venues. A total of 76 feature films and 34 short films from over 35 countries competed for the Black Pearl Awards.

The Doha Tribeca Film Festival (DTFF) is an annual five-day film festival founded in 2009 to promote Arab and international film, and to develop a sustainable film industry in Qatar. The Festival is one of Qatar's largest entertainment events attracting over 50,000 guests in 2010.

DTFF is the annual film festival of the Doha Film Institute, an organisation founded by H.E. Sheikha Al Mayassa bint Hamad bin Khalifa Al-Thani which implements, consolidates and oversees film initiatives in Qatar.

The 3rd annual DTFF is scheduled to take place from October 25-29 2011 at Katara Cultural Village, Doha. Approximately 40 films will screen at the festival, within various themed sections, showcasing World and Middle Eastern Cinema.

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Famous quotes containing the word festivals:

    This is certainly not the place for a discourse about what festivals are for. Discussions on this theme were plentiful during that phase of preparation and on the whole were fruitless. My experience is that discussion is fruitless. What sets forth and demonstrates is the sight of events in action, is living through these events and understanding them.
    Doris Lessing (b. 1919)

    Why wont they let a year die without bringing in a new one on the instant, cant they use birth control on time? I want an interregnum. The stupid years patter on with unrelenting feet, never stopping—rising to little monotonous peaks in our imaginations at festivals like New Year’s and Easter and Christmas—But, goodness, why need they do it?
    John Dos Passos (1896–1970)