Design
A competition for the design of the memorial was commissioned in July 1929 and a month later the prize-winning entries were announced by the Governor of New South Wales, Sir Philip Game. Third prize was awarded to Peter Kaad, second prize to John D. Moore and the winner was Bruce Dellit. The successful contractors for the building works were Kell & Rigby.
The building is constructed of concrete, with an exterior cladding of pink granite, and consists of a massed square superstructure with typically Art Deco setbacks and buttresses, punctuated on each side by a large arched window of yellow stained glass, and crowned with a ziggurat-inspired stepped roof. It is positioned atop a cruciform pedestal within which are located administrative offices and a small museum.
The interior is largely faced in white marble, and features a domed ceiling adorned with 120,000 gold stars - one for each of New South Wales' military volunteers during World War I. Access to the main hall is provided via broad stairways on each side of the building's north-south axis, while ground-level doorways on the east and west sides offer entry to the lower section.
The main focus of the interior is Rayner Hoff's monumental bronze sculpture of a deceased youth, representing a soldier, held aloft on his shield by a caryatid - three female figures, representing his mother, sister and wife. The male figure's nudity was considered shocking at the time of the monument's opening, and it is said to be the only such representation of a naked male form within any war memorial. Two other even more controversial figural sculptures designed by Hoff—one featuring a naked female figure—were never installed on the eastern and western faces of the structure as intended, partly as a result of opposition from high ranking, reactionary local Catholic Church representatives.
The building's exterior is adorned with several bronze friezes, carved granite relief panels and twenty monumental stone figural sculptures symbolising military personnel, also by Hoff.
Immediately to the north of the ANZAC Memorial is a large rectangular "Lake of Reflections" flanked by rows of poplars. The poplars, not native to Australia, symbolise the areas of France in which Australian troops fought. Original plans called for the construction of similar pools on each of the other sides of the building, but these were never built.
Read more about this topic: ANZAC War Memorial
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