Published Works
He has written thirteen books, novels and non-fiction.
| Book | Year | Type | Published | Other |
|---|---|---|---|---|
| Violent Brink | 1975 | Novel | First published by John Murray, London | |
| The Faustian Pact | 1983 | Novel | Jonathan Cape, London | |
| For Reasons of State | 1980 | Novel | Jonathan Cape, London | |
| The Spanish Civil War | 1982 | Non-fiction | First published Orbis, London | |
| The Enchantment of Christina von Retzen | 1989 | Novel | Weidenfeld and Nicolson, London | |
| Inside the British Army | 1990 | Non-fiction | Chatto and Windus, London | |
| Crete: The Battle and the Resistance | 1991 | Non-fiction | John Murray, London | |
| Paris After the Liberation, 1944–1949 | 1994 | Non-fiction | Co-authored with his wife, Artemis Cooper. Revised edition 2004 | |
| Stalingrad | 1998 | Non-fiction | Viking Press, London, later by Penguin, London | Translated into 26 other languages. |
| Berlin: The Downfall 1945 | 2002 | Non-fiction | Penguin, London | Published as The Fall of Berlin 1945 in the U.S. |
| The Mystery of Olga Chekhova | 2004 | Non-fiction | (See Olga Chekhova) | |
| The Battle for Spain: The Spanish Civil War 1936–39 | 2006 | Non-fiction | Spanish edition published in 2005. | |
| D-Day: The Battle for Normandy | 2009 | Non-fiction | ||
| The Second World War | 2012 | Non-fiction | W&N |
Antony Beevor has edited books, including:
- A Writer at War: Vasily Grossman with the Red Army 1941–1945 by Vasily Grossman.
He has also contributed to several other books, including:
- The British Army, Manpower and Society into the Twenty-First Century, ed by Hew Strachan
- What Ifs? of American History: Eminent Historians Imagine What Might Have Been, by Robert Cowley (Editor), Antony Beevor and Caleb Carr. (2003)
Read more about this topic: Antony Beevor
Famous quotes related to published works:
“Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.”
—Alexander Solzhenitsyn (b. 1918)