Antonio Maceo Grajales - Death

Death

His plans for meeting with Gómez and the Government in Arms never took place. On December 7, 1896, in the vicinity of Punta Brava, Maceo was advancing into the farm of San Pedro, only accompanied by his personal escort (two or three men), the physician of his Headquarters, the Brigade General José Miró Argenter and a small troop of no more than twenty men. When they attempted to cut a fence for facilitating the march of horses through those lands, they were detected by a strong Spanish column, which opened an intense fire. Maceo was hit by two shots, one in the chest and another that broke his jaw and penetrated his skull. His companions could not carry him because of the intensity of the firefight and Maceo's size. The only rebel who stayed by him was the Lieutenant Francisco Gómez (known as Panchito), son of Máximo Gómez, who faced the Spanish column for the sole purpose of protecting the body of his general. After being shot several times, the Spaniards killed Gómez with machete strikes, leaving both bodies abandoned, not knowing the identity of the fallen.

The corpses of Maceo and Panchito were picked up the next days by Colonel Aranguren, from Havana, who ran immediately to the battle scene after hearing the news. They were later buried in secret in the farm of two brothers who swore to keep the burial place in secrecy until Cuba would be free and independent and the correspondent military honors could be given to the hero. Nowadays, the remains of Antonio Maceo y Grajales and Francisco Gómez Toro lie in the monument of the Cacahual, close to the limits of the former farm of San Pedro, and the site is one of pilgrimage by Cuban people.

Read more about this topic:  Antonio Maceo Grajales

Famous quotes containing the word death:

    ...here he is, fully alive, and it is hard to picture him fully dead. Death is thirty-three hours away and here we are talking about the brain size of birds and bloodhounds and hunting in the woods. You can only attend to death for so long before the life force sucks you right in again.
    Helen Prejean (b. 1940)

    One is apt to be discouraged by the frequency with which Mr. Hardy has persuaded himself that a macabre subject is a poem in itself; that, if there be enough of death and the tomb in one’s theme, it needs no translation into art, the bold statement of it being sufficient.
    Rebecca West (1892–1983)

    All good biography, as all good fiction, comes down to the study of original sin, of our inherent disposition to choose death when we ought to choose life.
    Rebecca West (1892–1983)