She is best known for her book Country of My Skull, which chronicled the TRC. With Krog's reluctant permission, the book was later dramatised for the screen by Ann Peacock resulting in a film of the same name. Released in the United States as In My Country, it stars Samuel L. Jackson and Juliette Binoche. While the film was thought to have its "heart and politics in the right place" it was otherwise panned by the Washington Post as a "formula romance", in which Binoche fails at the Afrikaans accent and Jackson's character, Langston Whitfield, lacks credibility as a Post reporter.
A Change of Tongue, her second work of prose in English, recounts ten years of evolution after South Africa's first democratic elections. A post-modern blend of fiction, poetry, and reportage it explores the surprising and predictable changes that South Africans have made since abandoning apartheid. At times humorous, she weaves strands of autobiography with the stories of others to document struggles for identity, truth and salvation. The title of the book has political and private meanings: the diminishing role of Afrikaans in public discourse is reflected in her own flight into English as the vernacular of her work.
There was this goat, written with Nosisi Mpolweni and Kopano Ratele and published by KZN Press in March 2009, investigates the Truth Commission testimony of Notrose Nobomvu Konile.
Read more about this topic: Antjie Krog
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Famous quotes containing the words writer and/or prose:
“I have not ceased being fearful, but I have ceased to let fear control me. I have accepted fear as a part of life, specifically the fear of change, the fear of the unknown, and I have gone ahead despite the pounding in the heart that says: turn back, turn back, youll die if you venture too far.”
—Erica Jong, U.S. author. In an essay in The Writer on Her Work, ch. 13 (1980)
“Social questions are too sectional, too topical, too temporal to move a man to the mighty effort which is needed to produce great poetry. Prison reform may nerve Charles Reade to produce an effective and businesslike prose melodrama; but it could never produce Hamlet, Faust, or Peer Gynt.”
—George Bernard Shaw (18561950)