Anti-clerical art is a genre of art portraying clergy, especially Roman Catholic clergy, in unflattering contexts. It was especially popular in France during the second half of the 19th century, at a time that the anti-clerical message suited the prevailing political mood. Typical paintings show cardinals in their bright red robes engaging in unseemly activities within their lavish private quarters.
Nineteenth and early twentieth century artists known for their anti-clerical art include Francesco Brunery, Georges Croegaert, Charles Édouard Delort, Jehan Georges Vibert, and Eduardo Zamacois y Zabala. Masami Teraoka is among the contemporary painters producing anti-clerical art.
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“Semantically, taste is rich and confusing, its etymology as odd and interesting as that of “style.” But while style—deriving from the stylus or pointed rod which Roman scribes used to make marks on wax tablets—suggests activity, taste is more passive.... Etymologically, the word we use derives from the Old French, meaning touch or feel, a sense that is preserved in the current Italian word for a keyboard, tastiera.”
—Stephen Bayley, British historian, art critic. “Taste: The Story of an Idea,” Taste: The Secret Meaning of Things, Random House (1991)