Published Works
Wynn is co-author (with Barry Morse and Robert E. Wood) of the books Merely Players - The Scripts (2003), and Pulling Faces, Making Noises: A Life on Stage, Screen and Radio (2004), the autobiography of actor Barry Morse.
He edited Stories of the Theatre (with Robert E. Wood), published in 2006; the material in the book combines the drama, tragedy and comedy of theatrical history with tales of actors, actresses, playwrights and critics. He also wrote the foreword to the 2006 hardbound edition of the classic novel The Green Carnation by Robert Hichens (which was based on Hichens' personal relationships with Oscar Wilde and Bosie Douglas).
The theatrical memoir of actor Barry Morse, Remember With Advantages: Chasing "The Fugitive" and Other Stories from an Actor's Life (co-written with Robert E. Wood and Barry Morse), was released in 2007 by McFarland and Company publishers of North Carolina. Academy Award-winning actor Martin Landau wrote the foreword for the book. Wynn and Robert E. Wood also co-wrote Valiant for Truth: Barry Morse and his Lifelong Association with Bernard Shaw (2012) based on lectures they gave to the International Shaw Society and the Shaw Society of England, in London.
Wynn's compilation of interviews with actors and other professionals associated with the various incarnations of Star Trek entitled Conversations at Warp Speed was made available to the public for the first time on September 8, 2012, the 46th anniversary of the premiere of Star Trek, at Rose City Comic-Con in Portland, Oregon. Interviewees included in the book are: George Takei, Nick Tate, Grace Lee Whitney, Robin Curtis, Eric A. Stillwell, Armin Shimerman, Kitty Swink, Paul Carr, James Doohan, Bibi Besch, Gene Roddenberry, and Star Trek fans Marlene Daab and Carol Jennings. The book includes three bonus interviews with Corinne Orr, Gretchen Corbett, and Barry Morse. Morse also penned the foreword to the book prior to his death.
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Famous quotes related to published works:
“Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.”
—Alexander Solzhenitsyn (b. 1918)