Career
Anthony Wong began his career as a DJ at Commercial Radio Hong Kong in 1984. In the following year, he answered a singer-wanted advertisement in a music magazine posted by a composer and guitarist Tats Lau Yi Tat. They then formed the group Tat Ming Pair and later was signed by Polygram. After the group was disbanded in 1990, he continued his musical career as a solo singer and later also as a producer. In the mid 90’s, he reached the peak of his musical career. With songs like ‘’Blow Up’’ (春光乍洩), 每日一禁果 (literally “A Forbidden Fruit-Once a Day”), he received many prestigious musical awards.
In 1999, he founded the music production company People Mountain People Sea (人山人海) with a group of talented artists and musicians in Hong Kong. The company produced and published albums not only for high-profiled Pop singers like Leslie Cheung, Faye Wong, Sandy Lam, Eason Chan, Nicholas Tse and Miriam Yeung, but also published works for other relatively “alternative/ experimental” singers, composers, bands and groups, such as at17 and PixelToy.
On 7 July 2007 Ming performed at the Chinese leg of Live Earth in Shanghai.
Read more about this topic: Anthony Wong (singer)
Famous quotes containing the word career:
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)
“I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.”
—Margaret S. Mahler (1897–1985)