The Annie Award for Music in a Feature Production (or Annie Award for Music in an Animated Feature Production) is an award given annually, except 2002, to the best music in an animated feature film, theatrical or direct-to-video. It began in 1997 as the Annie Award for Best Individual Achievement: Music in a Feature/Home Video Production. Throughout the following years, the title was renamed Outstanding Individual Achievement for Music in an Animated Feature Production, Outstanding Individual Achievement for Music Score in an Animated Feature Production, and Outstanding Music in an Animated Feature Production before changing to its current title in 2005. It was retitled Best Music in an Animated Feature Production in 2006 for three years before being reverted back to Music in an Animated Feature Production in 2009.
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“A-list’nin’ to the witch-tales ‘at Annie tells about,
An’ the Gobble-uns ‘at gits you
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—James Whitcomb Riley (1849–1916)
“The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.”
—Robert Graves (1895–1985)
“Westminster Abbey is nature crystallized into a conventional form by man, with his sorrows, his joys, his failures, and his seeking for the Great Spirit. It is a frozen requiem, with a nation’s prayer ever in dumb music ascending.”
—M. E. W. Sherwood (1826–1903)
“With men he can be rational and unaffected, but when he has ladies to please, every feature works.”
—Jane Austen (1775–1817)
“Perestroika basically is creating material incentives for the individual. Some of the comrades deny that, but I can’t see it any other way. In that sense human nature kinda goes backwards. It’s a step backwards. You have to realize the people weren’t quite ready for a socialist production system.”
—Gus Hall (b. 1910)