Cultural Symbolism of Anne
Even while she was alive, the royal propaganda of Charles VIII and of Louis XII introduced Anne of Brittany as a perfect queen, a symbol of union and peace between the kingdom of France and the duchy of Brittany. In the following centuries, historians and popular culture sometimes presented Anne of Brittany in differing fashions, ascribing to her physical and psychological characteristics that are not necessarily supported by historical evidence.
In 1991, the five-hundredth anniversary of the marriage of Anne of Brittany and Charles VIII of France was celebrated in Langeais. In Rennes, which had paid the price of this marriage by siege, food shortage, and an occupation, it was hardly mentioned.
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“Quite apart from any conscious program, the great cultural historians have always been historical morphologists: seekers after the forms of life, thought, custom, knowledge, art.”
—Johan Huizinga (1872–1945)
“...I remembered the rose bush that had reached a thorny branch out through the ragged fence, and caught my dress, detaining me when I would have passed on. And again the symbolism of it all came over me. These memories and visions of the poor—they were the clutch of the thorns. Social workers have all felt it. It holds them to their work, because the thorns curve backward, and one cannot pull away.”
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“When the sheep are in the fauld, and the kye at hame,
And a’ the warld to rest are gane,
The waes o’ my heart fa’ in showers frae my e’e,
While my gudeman lies sound by me.
Young Jamie lo’ed me weel, and sought me for his bride;”
—Lady Anne Lindsay (1750–1825)