Anna Seward - Sonnet To The Rev. Richard Polwhele, On His Poem Upon The Influence of Local Attachment

Sonnet To The Rev. Richard Polwhele, On His Poem Upon The Influence of Local Attachment

SONNET, TO THE REV. RICHARD POLWHELE, ON HIS POEM UPON THE INFLUENCE OF LOCAL ATTACHMENT

POLWHELE, whose genius, in the colours clear
Of poesy and philosophic art,
Traces the sweetest impulse of the heart,
Scorn, for thy Muse, the envy-sharpen'd spear,
In darkness thrown, when shielded by desert
She seeks the lyric fane. To virtue dear
Thy verse esteeming, feeling minds impart
Their vital smile, their consecrating tear.
Fancy and judgment view with gracious eyes
Its kindred tints, that paint the silent power
Of local objects, deeds of high emprize
To prompt; while their delightful spells restore
The precious vanish'd days of former joys,
By Love, or Fame, enwreath'd with many a flower.

From: The Poetical Works of Anna Seward, ed. Sir Walter Scott, Edinburgh: Ballantyne, 1810.

Read more about this topic:  Anna Seward

Famous quotes containing the words sonnet, richard, poem, influence, local and/or attachment:

    Therefore we value the poet. All the argument and all the wisdom is not in the encyclopedia, or the treatise on metaphysics, or the Body of Divinity, but in the sonnet or the play.
    Ralph Waldo Emerson (1803–1882)

    The raven is my talisman.... Death is my talisman, Mr. Chapman. The one indestructible force. The one certain thing in an uncertain universe. Death.
    David Boehm, and Louis Friedlander. Dr. Richard Vollin (Bela Lugosi)

    Let us dismiss, as irrelevant to the poem per se, the circumstance ... which, in the first place, gave rise to the intention of composing a poem that should suit at once the popular and the critical taste.
    Edgar Allan Poe (1809–1849)

    The private life of one man shall be a more illustrious monarchy,—more formidable to its enemy, more sweet and serene in its influence to its friend, than any kingdom in history. For a man, rightly viewed, comprehendeth the particular natures of all men.
    Ralph Waldo Emerson (1803–1882)

    There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist’s relation to bread and blood. In this view, the channel of art can only become clogged and misdirected by the artist’s concern with merely temporary and local disturbances. The song is higher than the struggle.
    Adrienne Rich (b. 1929)

    My attachment has neither the blindness of the beginning, nor the microscopic accuracy of the close of such liaisons.
    George Gordon Noel Byron (1788–1824)