Theatre School
In 1968, Scher started an afterschool drama club at Islington's Ecclesbourne Primary School. 70 pupils came the first week, including future Birds of a Feather stars Pauline Quirke (aged 9), Linda Robson (aged 10) and Ray Burdis (aged 11).
In 1970, the classes moved across the road to a council hall in Bentham Court on Ecclesbourne Road. By 1975 she had 1,000 pupils and 5,000 on the waiting list, so moved to the custom converted mission hall on Barnsbury Road in 1976, when the school was established as a charity.
Scher's teaching style produces what critics call a natural delivery, but Scher comments that she just uses their natural voice. Her improvisation technique has become famous:
| “ | I fell into that quite by chance - necessity is nearly always the mother of invention, and because 70 turned up and because a lot weren't too hot at reading, improvisation fell into place. | ” |
In 2000, Scher suffered ill health and stepped down during her recovery period. Scher was never reinstated as head of the theatre, despite a vociferous campaign led by her and her supporters, The Friends of Anna Scher. In 2005, the remaining staff and board set up a new school but Anna Scher went on to continue her theatre school under her own name at the nearby Blessed Sacrament Church Hall, Islington. Since 2009, the Anna Scher Theatre has been teaching from the St Silas Church in Islington and classes are run 3 days a week by Anna Scher and former pupil Bernie Burdis, who together have taught for over 30 years.
Scher is married to Charles Verrall, an acting and public speaking coach who has also written and directed several stage plays and a musical. He was co-director of the Anna Scher Theatre for many years, and co-authored several of Scher's books on acting. They have one son.
Read more about this topic: Anna Scher Theatre
Famous quotes containing the words theatre and/or school:
“To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
—Eleonora Duse (1859–1924)
“And so they have left us feeling tired and old.
They never cared for school anyway.
And they have left us with the things pinned on the bulletin board.
And the night, the endless, muggy night that is invading our school.”
—John Ashbery (b. 1927)