Ann Pancake - The Context of Her Work

The Context of Her Work

Many of Pancake's characters make their home in rural West Virginia. This includes the Potomac Highlands and areas in the southern part of the state. For example, her story Wappatomaka describes the Trough region of the Highlands, where severe flooding on the Potomac River often occurs.

Poverty can be reflected in violence, and in her stories Pancake addresses both the Vietnam War and domestic abuse. Dirt chronicles a family's reflection of a son taught to burrow shafts in the Vietnam War, and the entrapment and dread that this environment echoes for them at home. In Jolo, a boy's neglect by his family is literally seared into his skin in a trailer fire.

Pancake's characters live in opposition to mainstream American society, often without conscious choice. Others revel in their outsider status and maintain a connection to nature that resists societal pressures. Her title character in the story Jolo is wanted by police investigating a series of arsons. While the boy is a fugitive he agrees to secretly meet with a local girl, Connie, in a remote location on the banks of a river. The river serves as a reminder of Jolo's untamed nature and his preference for the wilderness over village life. At the same time, Connie sees how cut off he is from the rural society both of them were born into. This is a virtue of physical deformities he has suffered, but also because of the comparative economic poverty of his upbringing.

While some critics have chosen to place Pancake firmly in the tradition of Appalachian writing, her stories describe more than regional color, history, and concerns. The subtext of much of her work is the separation of individuals from the rest of society, often in cycles of poverty. Early motherhood, hunger, and alienation from mainstream economies are manifest in stories such as Ghostless and Tall Grass. The sharply divided interests of urban and rural Americans and the powerful determinant of social class is manifest in Bait and "Redneck Boys" where the death toll of rural highways is both the cause of nonchalance and horror.