Ann Magnuson - Prominence

Prominence

A fixture of the Manhattan downtown club scene of the 1980s, Magnuson gained attention with her role as a snarky cigarette girl in director Susan Seidelman's independent film hit Desperately Seeking Susan, set in that milieu and which also helped launch the acting career of singer Madonna. Magnuson went on to star in Seidelman's Making Mr. Right (1987), a poorly received science-fiction romance about an android played by John Malkovich.

Concurrently, Magnuson developed an underground following as lead vocalist of the band Bongwater, formed in 1985 with producer-musician Mark Kramer, a.k.a. Kramer. Bongwater released four avant garde albums and a debut EP before breaking up in 1992 with a contentious legal battle between Magnuson and Kramer that lasted through at least 1996 and ended with the bankruptcy of Kramer's independent-music label Shimmy-Disc.

Her 15-minute video performance piece "Made for Television", self-produced in 1981, ran on the WNET-PBS avant garde series Alive from Off-Center. Her satiric featurette found her playing close to 50 roles in a "channel-hopping" series of visual bites parodying television programming game shows to TV-films to televangelists. As Art critic Sarah Valdez described it, "a bewigged Ann Magnuson consecutively inhabits, at a rate faster than any channel surfer could keep up with, an outlandish, uproariously unfortunate range of female stereotypes". It was later released by HBO Home Video together with the Cinemax cable-TV special Vandemonium Plus (1987), in which Magnuson starred in a mostly solo stage piece with appearances by actor-singer Meat Loaf and actor-monologist Eric Bogosian. Her 1995 CD The Luv Show (Geffen Records/MCA), her major-label debut, was commercially unsuccessful, but musically adventurous; one critic described it "an MGM musical as directed by Russ Meyer (which means the mambo 'Sex With The Devil'" and 'Miss Pussy Pants' sit comfortably next to Ethel Merman references in the same work)".

As Salon writer John Paczowski described her in 1997:

celebrated icon in the more transgressive margins of culture, Ann Magnuson has been at once unknown and renowned for the past 15 years. She is infamous in more insular circles as the creative force behind the cultural mayhem of the East Village's Club 57, a breeding ground of experimentation and absurdity that spawned the work of Keith Haring, among others. (Under the auspices of a Club 57 project, Magnuson once performed a "Tribute to Muzak," singing for five hours straight in the elevator of the Whitney Museum.)

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