Filmography
| Year | Title | Contribution | Notes |
|---|---|---|---|
| 1979 | The Secret | Director | Hui's first feature film. The suspense drama about a real-life double murder. |
| 1980 | The Spooky Bunch | Director | A satiric film about a Cantonese opera company that must go to Cheung Chau to perform for a wealthy man. However, the company soon learns that the man is being haunted by a ghost. |
| 1981 | The Story of Woo Viet | Director | Starring Chow Yun-fat, the film is Hui's second part to her "Vietnam trilogy," which follows the story of a South Vietnamese refugee in Hong Kong. This film was one of first political Hong Kong-made dramas. It was screened at the Director's Fortnight of the Cannes Film Festival. |
| 1981 | Boat People | Director | The third installment of Hui's "Vietnam trilogy." Andy Lau plays one of several Vietnam refugees, who are forced to flee to Hong Kong. The film was an Official Selection at Cannes and Best Film at the Hong Kong Film Awards |
| 1984 | Love in a Fallen City | Director | Taking place just before the Japanese invasion of Hong Kong, a young man pursues an introverted divorcee. |
| 1986 | The Romance of Book and Sword | Director/Writer | The first part of Hui's Qing Dynasty epic. The film is based on a novel from an old folk's tale. Unlike most of Hui's films, this film falls under the genre of martial-arts and action/adventure. |
| 1987 | Princess Fragrance | Director | The second part of Hui's Qing Dynasty epic. The film journeys through the final half of the Louis Cha's novel The Book and the Sword. |
| 1988 | Starry is the Night | Director | A school counselor has an affair with a young student and parallels a past affair the counselor had with her professor. |
| 1990 | Song of the Exile | Director | A film loosely based on Hui's experience of returning to Hong Kong after her time in London. The film also reflects the female protagonist's relationship with her Japanese mother. |
| 1990 | The Swordsman (uncredited) | Director | |
| 1990 | My American Grandson | Director | An elderly Chinese man becomes the caretaker of his 12-year-old grandson. The film compares the differences of Eastern and Western culture, and analyzes how American born Chinese disassociates themselves their native culture. |
| 1991 | Zodiac Killer | Director | Also starring Andy Lau, the crime and drama filled film takes place in Tokyo with a documentary style. |
| 1993 | Boy and His Hero | Director | |
| 1995 | Summer Snow | Director | A comedy-drama about a working woman and her husband and son. The woman must care for her father-in-law, whom she had never gotten along with. The film centers around the woman's situation and how she copes with her father-in-laws Alzheimer's. The film has received several awards. |
| 1996 | The Stunt Woman | Director | The melodrama about a stunt woman (Michelle Yeoh), who is struggling in Hong Kong's film industry. The film is most famous for Yeoh's brush with death, as she misjudged an 18-foot leap from a bridge to a truck. |
| 1997 | Eighteen Springs | Director | A period film of 1930s Shanghai, where a young woman falls in love with a factory worker. However, things get complicated when the factory worker's parents have arranged a marriage for him. |
| 1997 | As Time Goes By | Director/Writer | A man regrets his wish for time to speed up when it comes true. He begins to quickly realize the pitfall of rushing through life. |
| 1999 | Ordinary Heroes | Director/Producer | The film revolves around the lives of social reform activists in Hong Kong. It competed at the 49th International Berlin Film Festival in 1999. |
| 2001 | Visible Secret | Director/Producer | A horror-comedy film, in which a woman, June, believes she can see ghosts. |
| 2002 | July Rhapsody | Director/Producer | The film follows the story of a high school teacher with a good life and family. However, the film shows the deterioration of relationships and marriages when a young student falls in love with the teacher. |
| 2003 | Jade Goddess of Mercy | Director | The film is an adaptation of a popular book that describes the lives of everyday police men. The protagonist is a female police officer, who must deal with choices between three men in her life and her career. |
| 2006 | The Postmodern Life of My Aunt | Director/Writer | A woman in her sixties discovers she is falling behind in the times, as she loses her job as an English tutor. Throughout the film, several people (including her own nephew) take advantage of her naiveté, which leaves her penniless. |
| 2008 | The Way We Are | Director | This drama tells the story of a working woman, Kwai, who must take care of her teenage son and ailing mother. Kwai befriends an older woman, and the two learn to help each other during a time where employment is scarce and any kind of assistance is highly appreciated. |
| 2009 | Night and Fog | Director/Producer | A family struggles in Tin Shui Wai, while marriage between husband and wife turns fatal. There is no social, physical, or emotional escape for the wife, who is an immigrant to Hong Kong, of an abusive husband. |
| 2010 | All About Love | Director/Producer | The film portrays the difficulty and challenges in which lesbians in Hong Kong must face. It also explores the idea of the queer women starting families using non-traditional methods. |
| 2011 | A Simple Life | Director/Producer | A story about an elderly female servant, who has watched over a family for many generations. Andy Lau is the only family member left in Hong Kong, and the film follows the relationship between servant and master. |
| 2012 | Beautiful 2012 | Director |
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