The "angry young men" were a group of mostly working and middle class British playwrights and novelists who became prominent in the 1950s. The group's leading members included John Osborne and Kingsley Amis. The phrase was originally coined by the Royal Court Theatre's press officer to promote John Osborne's 1956 play Look Back in Anger. It is thought to be derived from the autobiography of Leslie Paul, founder of the Woodcraft Folk, whose Angry Young Man was published in 1951. Following the success of the Osborne play, the label was later applied by British media to describe young British writers who were characterised by a disillusionment with traditional English society. The term, always imprecise, began to have less meaning over the years as the writers to whom it was originally applied became more divergent, and many of them dismissed the label as useless.
Read more about Angry Young Men: John Osborne, Definition and Divisions, Crosscurrents in The Late 1950s, Associated Writers, Other Media
Famous quotes containing the words young men, angry, young and/or men:
“I see advertisements for active young men, as if activity were the whole of a young man’s capital. Yet I have been surprised when one has with confidence proposed to me, a grown man, to embark in some enterprise of his, as if I had absolutely nothing to do, my life having been a complete failure hitherto. What a doubtful compliment this to pay me!”
—Henry David Thoreau (1817–1862)
“Him, the vindictive rod of angry justice
Sent, quick and howling, to the centre headlong;
I, fed with judgements,in a fleshy tomb, am
Buried above ground.”
—William Cowper (1731–1800)
“But these young scholars, who invade our hills,
Bold as the engineer who fells the wood,
And travelling often in the cut he makes,
Love not the flower they pluck, and know it not
And all their botany is Latin names.
The old men studied magic in the flowers.”
—Ralph Waldo Emerson (1803–1882)
“and men strive with each other not for power or the accumulation of paper
but in joy create for others the house, the poem, the game of
athletic beauty.
Then washed in the brightness of the vision,
I saw how in its radiance would grow and be nourished and suddenly
burst into terrible and splendid bloom
the blood-red flower of revolution.”
—Dudley Randall (b. 1914)