The "angry young men" were a group of mostly working and middle class British playwrights and novelists who became prominent in the 1950s. The group's leading members included John Osborne and Kingsley Amis. The phrase was originally coined by the Royal Court Theatre's press officer to promote John Osborne's 1956 play Look Back in Anger. It is thought to be derived from the autobiography of Leslie Paul, founder of the Woodcraft Folk, whose Angry Young Man was published in 1951. Following the success of the Osborne play, the label was later applied by British media to describe young British writers who were characterised by a disillusionment with traditional English society. The term, always imprecise, began to have less meaning over the years as the writers to whom it was originally applied became more divergent, and many of them dismissed the label as useless.
Read more about Angry Young Men: John Osborne, Definition and Divisions, Crosscurrents in The Late 1950s, Associated Writers, Other Media
Famous quotes containing the words young men, angry, young and/or men:
“... men and women are not yet free.... The slavery of greed endures. Little child workers, the hope of the future, are sacrificed to industry. Young men are sent out by the billion to die for profits.... We must destroy industrial slavery and build industrial democracy.... The people everywhere must come into possession of the earth [second, third, and fourth ellipses in source].”
—Sara Bard Field (1882–1974)
“Ignorant kindness may have the effect of cruelty; but to be angry with it as if it were direct cruelty would be an ignorant unkindness.”
—George Eliot [Mary Ann (or Marian)
“It is a most curious experience for a man of seventy-two to be confronted with the greenhorn enthusiasms of his youth. Young people think they are so smart. Alas the doctrines they spout with such fervor turn out to be mostly parroted from their elders.”
—John Dos Passos (1896–1970)
“Most men are like me. They cannot live in a universe where the most bizarre thought can in one second enter into the realm of reality—where, most often, it does enter, like a knife in a heart.”
—Albert Camus (1913–1960)