Angel Dust (Faith No More Album) - Critical Reception and Legacy

Critical Reception and Legacy

Professional ratings
Review scores
Source Rating
About.com
Allmusic
Entertainment Weekly B
Kerrang!
Q July 1992, page 91
Robert Christgau
Rolling Stone

Reviews of Angel Dust were generally favourable. One critic wrote that the album is "one of the more complex and simply confounding records ever released by a major label" and similarly, another called it "the most uncommercial follow-up to a hit record ever". The single "A Small Victory" is described as a song "which seems to run Madame Butterfly through Metallica and Nile Rodgers, reveals a developing facility for combining unlikely elements into startlingly original concoctions".

The songs "Malpractice" and "Jizzlobber" have been called "art-damaged death metal" and "nerve-frazzling apocalyptic rock" by contrast with the "accordion-propelled" Midnight Cowboy theme cover that follows. Allmusic calls the album a "bizarro masterpiece", citing the vocals as "smarter and more accomplished" than its predecessor The Real Thing. It gave the album 4.5 stars out of 5, calling it one of their album picks. Kerrang! reviewer was less enthusiastic, considering Angel Dust's variety of styles "a personality disorder which undermines its potential greatness".

The album was also called an "Album of the Year" in 1992 by seven different publications in four countries, making the top 10 in three of them and the top position in one, and was also named the "Most Influential Album of all Time".

Read more about this topic:  Angel Dust (Faith No More album)

Famous quotes containing the words critical, reception and/or legacy:

    “Good critical writing is measured by the perception and evaluation of the subject; bad critical writing by the necessity of maintaining the professional standing of the critic.”
    —Raymond Chandler (1888–1959)

    “To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
    —Lewis H. Lapham (b. 1935)

    “What is popularly called fame is nothing but an empty name and a legacy from paganism.”
    —Desiderius Erasmus (c. 1466–1536)